Montana water is pretty cold in winter…and spring…and…okay actually it’s pretty cold every single day of the year.
As an underwater photographer I have to admit it’s not the most ideal place for year-round shooting. But the crystal clear glacier water I have access to in the summer (although freezing), makes it all worth it.
Winter, of course, is a different story. Can’t really shoot if the water is frozen.
Which puts me on the search for anyone with an indoor pool willing to lend it to a desperate underwater photographer. Thankfully, one of the nicest couples EVER allowed me to use their pool in Bozeman for a couple shoots, so when Rocky Mountain Entertainment Agency (RMEA) had the idea to do a full model workshop complete with underwater model training…in Montana…in February…we had the perfect place!
I don’t think I’ll ever get sick of shooting with RMEA. Everyone is enthusiastic and nice – and the girls are absolute rockstars. Underwater modeling is tough, and they have to figure it all out within just a couple days. This year, we had an extra little bonus, as one of the modeling spots for my Greece workshop was still available, so one lucky model would walk away with a trip to Greece completely paid for!
The first day of these workshops is usually practice. Hardly anyone, if ever, gets it right on the first day. There’s a lot of choking and sputtering, a lot of “This sucks” and “How do you make the water not go up your nose?”
But the second day – wow! Every time it’s like a whole new group of girls show up. Everyone starts to get the hang of it, and it starts being fun! Then we can play with props, with backdrops, fun poses and outfits.
Plus, with a makeup artist like Olivia, with OMD4 Makeup (who is also the makeup artist that will be on hand for both the Greece and Catalina Island workshops this year), we get to see some really great makeup looks. The girls also had their photos taken on dry land by Katherine, from Katherine Kingston Photography (who was just a blast to work with, btw).
A few shots from day 2 of the workshop:
And the model that won a spot at the Greece workshops is…
I can’t wait for this summer’s RMEA camps!
My brain is officially underwater.
Photographically, that is.
I see everything in terms of underwater. A friend shows me the gorgeous wedding dress she picked out, and I wonder what it would look like in a pool. My mother-in-law shows me a new chair she reupholstered and I wonder how well the color would hold up if it got wet. I’ve even made the mistake of approaching a potential model with an opening line of, “Excuse me, how well do you sink in water?”
I’ll admit though, starting out in underwater photography was pretty intimidating. I couldn’t afford my own housing, so I built my own, and it actually worked fairly well in the beginning.
I was still scrambling in every other aspect though, as I couldn’t find any decent information online that wasn’t primarily geared toward photographing fish or plant life. So starting from scratch, I slowly began exploring the world of underwater portraits…and making every single mistake along the way.
If there’s anything I wish I would’ve known in the beginning (besides the fact to never ask a stranger how well they sink in a pool) this would be it.
1.) Have An Open Mind
Everything is different under the water. Lighting, for example, follows different principles and patterns. Lights need to be about 6 times stronger than on land (roughly, depending on depth and distance to your subject), and since dealing with radio signals can be a huge pain underwater, your lights usually need to be either constant, ambient light or strobes that are connected directly to your camera.
That’s not all though; you and your models need to adapt to shooting in a near zero-gravity environment. Your props and wardrobe will act differently as well – a gorgeous, flowing dress on land could be a tangled, transparent mess underwater, and a prop you thought would be a fantastic idea might be downright dangerous after it gets wet (I learned this the hard way with a fur coat and a pair of roller-skates).
No matter how long you’ve been shooting, you’re about to enter into a field that will make you feel like a novice all over again – which is incredibly exciting! But if you go into it with a rigid idea of how photography works, you’ll quickly find yourself frustrated and discouraged. So keep an open mind and be prepared to see things in a whole new light.
2.) Buy The Right Housing
Sorry to say, but underwater photography housing is no place to be pinching pennies. When you’re putting thousands of dollars’ worth of gear in an environment that could easily destroy it with just the tiniest of leaks, you need to know it’s going to be taken care of.
I only wish I would’ve known this earlier. At the time, I didn’t really know if this was something I was going to be actively pursuing, so I didn’t want to make a huge investment. After using my own housing for a while though, I knew I was hooked. So I started the process of upgrading, all while trying to spend as little money as possible.
I ended up going through three different brands of cheap underwater bags, housing specifically made for underwater video and various hard housings. The bags all leaked at one point or another, the underwater video housing was NOT ideal for photos and the cheap hard housings were large and awkward. It was a mess.
Now, I use underwater housing from Ikelite, and for the life of me wish I would’ve just gone to them sooner. I could’ve saved myself a lot of time, money, stress and one very unfortunate, doomed 5d Mark II.
My advice – if you’re just looking to have some fun, consider renting some gear or buy a GoPro. Take some pics and see how you feel. If you decide underwater isn’t for you, at least you can return the gear or use a GoPro for literally anything else, and if you do decide this is something you want to pursue, sit down and have an honest look at the kind of underwater work you want to produce and the gear you’ll need to produce it.
3.) Know Not All Water Is Equal
Our cameras see light very differently than we do. A heavily chlorinated pool may seem clear to you, but it’s a hazy mess according to your camera. If you’re shooting in a pool that looks clear, but you’re images are turning out cloudy and useless, there might be an abundance of chemicals in the water that you aren’t seeing, but your camera is.
In my experience, I’ve found there’s really nothing better than a clear, freshwater lake, followed by clear saltwater, followed by a saltwater pool. I’ll avoid shooting in a chlorinated hotel pool at all costs.
There are also other factors that come into play as well. Oceans have currents and potentially dangerous animals, like jellyfish. Freshwater lakes here in Montana are insanely clear, but they’re also freezing. There’s always a tradeoff.
4.) Embrace Wide Angle Lenses
To cut down on the amount of water between your subject and your camera, you’ll want to shoot as close to your subject as possible. I mostly shoot at a focal length right around 25mm. Any longer and I have a hard time keeping my subject entirely in the frame, and I started running into additional focusing and clarity issues. Any wider and there is too much image distortion.
Not to say you shouldn’t break the rules a little bit though! If I know I’m shooting in an environment where outer distortion doesn’t matter (say on a completely black background), I’ll shoot with something as wide as an 8mm, and for close-up portrait work, I’ll shoot closer to 40-50mm. I’ve also taken my 85mm underwater to0 because, well, why the hell not?
5.) Learn To Sink
The key to staying underwater is not to hold your breath, but rather to let all your air out. The less air in your lungs, the less buoyant you are, and the easier it is to maneuver down there. It seems quite terrifying at first, but soon you’ll learn to work with the residual air in your lungs, and the more you do it the longer you can stay down. It’s not uncommon now for me to sink down 15 or 20 feet for the angle I need, while the model goes through a couple cycles of posing.
For some people though, the thought of letting all their air out before diving down is just too much to take, and in this case you can use weights or even dive equipment. If you’re having trouble, a great tip is to take a 25lb hand weight, wrap it in bubble wrap and then black felt (if you’re shooting in a pool, this helps to protect the liner), than hook your toe under it and pull yourself down. The model can do the same if she’s having a hard time sinking as well.
6.) Be Patient With Your Models
Underwater modeling is incredibly difficult. They’re modeling in completely new conditions, with water going up their nose almost the entire time. They also can barely see the camera – it’s mostly a blurry black blob to them. Plus, since you can’t talk underwater, they don’t even know if what they’re doing is what you’re looking for.
So give them plenty of time to figure this all out. For most models, first they need to practice letting their air out and sinking. Once they get the hang of this, turn your focus to facial expressions. Most people naturally make a variety of unattractive facial poses underwater, like squinty eyes and nostrils, chipmunk cheeks or “fish lips” (what I call the underwater version of the “duck face”).
After they learn how to keep their face looking natural and relaxed, move onto body poses. Reiterate soft hands, pointed toes and a long neck.
I try to give my models a list of poses before the shoot so they can practice them on land before going underwater, and then during the shoot I slowly walk them through the process, suggesting small movement changes a little at a time.
It’s also important that you are fully aware of the conditions your models are in. Personally, I never, ever wear a wetsuit. I certainly could, considering Montana water is more than cold enough to warrant one, but then I wouldn’t have any idea how my model felt. By being in the exact same conditions my models are in, I’m able to better gauge what is appropriate to ask of them given the current conditions.
7.) Learn to Shoot Fast
Even if the water isn’t even that cold, a long day of shooting will quickly wear on both of you. Your model will have water going up her nose and in her ears as she tries to move into different poses, and you’ll because exhausted from trying to maneuver that camera around underwater. You’ll both be swallowing plenty of water and will both feel sick at some point (I like to keep a few bottles of freshwater nearby, as well as a box of crackers to help combat water sickness).
From a photography standpoint though, shooting fast is important because things change underwater, primarily makeup and skin texture. Fingers become pruney, makeup will run and fade and skin will take on an unattractive dimpled, dead texture, which you definitely don’t want…unless you’re going for a zombie look or something.
So this is where good planning will come in. If everyone knows exactly what you want before you even get into the water, things will naturally move much faster. If you have a huge shoot coming up with a new model, meet her a few days before and do a kind of rehearsal shoot so she can practice. Some models pick it up in a heartbeat; some need 3 or 4 shoots to begin even looking somewhat comfortable in the water.
8.) Have Plenty Of Assistance
Any extra hands on an underwater shoot will not go unused. If you have lighting or other equipment that’s on land just out of reach, for example, it’s much easier to have an assistant adjust it for you while you do a test shot, rather than have to get out of the pool and move it yourself until you finally get the look you’re going for.
Plus, underwater shooting can be a little dangerous at times, especially when the model is not wearing something they would normally wear underwater. Large dresses can become tangled, props can become heavy or the model can become disoriented while trying to hit certain poses. Extra hands on deck help make your job easier while keeping everyone safe.
9.) Embrace Post-Processing
Water is a medium, and anytime you shoot through a medium, you’re going to run into some issues. All of those brilliant underwater photos you see on the internet, even ones by Bruce Mozert, are not entirely straight out of camera.
Shooting through water takes away image clarity and sharpness, adds a lot of background stuff to clean up (bubbles, backscatter, light reflections), not to mention that pesky blue cast that takes some dealing with (you could use filters to try and combat the blue cast, but personally I feel they cause even more of a headache).
If your images look less than stellar straight out of camera, don’t get frustrated. You don’t need to go out and buy a few thousand dollars in lighting equipment; you most likely just haven’t put them through the proper post-processing techniques yet.
10.) Understand This Takes Time
To be blunt – underwater photography is not easy. It’s physically exhausting, time-consuming and potentially very expensive. When I first started I was coming home waterlogged and sick, with red, itchy eyes, ringing ears and about 10,000 images to sort through…and only 2 would make the cut. But even then, I was completely addicted.
Don’t be too hard on yourself in the beginning. There are a lot of components that need to come together to make a successful photograph, and it takes a lot of practice to get to that point. Take it one day at a time, and you’ll be there before you know it!
And of course, if you’re interested in a hands-on underwater portraiture course, don’t forget to check out my workshops next year in Greece and Bali, and make sure and SUBSCRIBE for more posts like this, and follow me on Facebook, Instagram & Twitter :).
There’s nothing quite as depressing as the sound of silence in a cubicle.
The incessant buzzing of the air conditioner and the relentless squeaking of a run-down office chair fills the air, broken only by the telltale sound of an employee attempting to surreptitiously remove the Ceran wrap from his late lunch. Fingers scurry across keyboards, mouses click, and chipper voices answer phones with that identical artificially caring voice they’ve used for the last 10 years. I sit in the back, as close to the only window as possible, undaunted by the measly view it provides. The sight of the adjacent building, just two feet away, is the only connection I have to the outside world.
This, ladies and gentlemen, is my nightmare.
I have decided that an office is the ultimate prison; one designed to keep its prisoners willingly confined, brainwashed by the sight of the strategically placed metaphorical carrot just inches beyond their grasp. I feel as if I have signed a contract without reading the fine print, ushered ahead to the next important benefit while passing over the sacrifices needed to reach said benefit. Even the fluorescent lights above flicker to remind me of the task at hand, like the most effective of prison guards; jarring and emotionless.
I stare at the computer screen before me and click my pen against my teeth, the scent of Windex and carpet hanging in the air. This is not my computer. This is not my desk. This is Patty’s desk, and hers is the bar to which all following cubicles will be measured. Her functional knick-knacks confuse me, and I feel even more out of place. A container of goo meant to make fingers sticky (for turning pages) and a bottle of Germ-ex sit directly next to the keyboard. I do not own a bottle of Germ-ex. I welcome the dirt and grime of the natural world. Oh how I long for the touch of grass…
Next to a colorful array of pens (the likely only allowed form of creativity or self-expression), is a palm tree post-it note container, symbolizing the relaxing beach she has probably desperately been saving her vacation days for. She has months’ worth of vacation days saved up, yet her planner hangs on the cork-board to the right, rows of assignments filling it: typing, filing, interviewing, typing, staffing. Is this what my life will soon become? Am the next generation of Patty’s?
But the most disheartening trinket of all is the digital calendar on her computer that displays a different “inspirational phrase” daily.
Today’s? “Smile. I like your sense of humor.” Great, a computer is telling me it likes my sense of humor. I have already discovered that no one in this particular job likes my sense of humor, so it’s ironic that a computer would have that opinion. Rather, I think it’s mocking me. Mocking my lack of humor and instead exposing my dutiful, uninspiring appropriateness that has replaced it. Within two weeks my wit has given way to internal cynicism. I used to be funny.
My stare is broken by the flicker of the fluorescent prison guard. Back to work. Deep breaths…
That was me, just 4 years ago.
No, I’m serious – that’s an actual snippet from an old blog post dated August of 2011. While there is nothing wrong with working in an office, it wasn’t for me, and I was definitely not doing well.
Sitting in the office of my first counselor job straight after completing my Master’s, I was on the edge of a complete breakdown. I cried all the time. Once, while driving around on a random Tuesday, we passed an enormous house and my husband casually said, “Woah, I wish we lived there!” I replied with, “I wish it was Friday,” and burst into tears. Sometimes it didn’t even take a trigger; I’d just sit in the bedroom, stare at a pair of “professional work shoes” and cry.
I didn’t last long. Within 3 weeks I was fired for following a code of ethics that apparently my employer didn’t share with the rest of the mental health profession. I came home, told my husband the news and he and our friend Bill took me out for a game of golf (I drove the cart through a fence) and a night of never-ending beer and buffalo wings, which, as it turns out, is the perfect cure for that ‘just getting fired’ feeling.
The next day, I told my husband I was changing careers. I told him I needed to do something creative for a living or there was a chance I may just collapse in on myself like a dying star. He agreed.
I had no idea what I wanted to do though, so I made a list. I wrote down every single creative job I could think of…and I mean everything. I listed actor, musician, painter, cartoonist, interior designer, dancer, filmmaker, and about a bajillion other possible jobs. I narrowed it down based on location (I wasn’t moving), required education (I couldn’t afford to go back to school) and required physical development (it was a little late to start a career as a professional ballet dancer). I was left with a list of 3 options: writer, photographer and cake decorator. On a whim, I chose photographer.
I didn’t even own a camera.
Cue the unrelenting skepticism. People thought I had snapped. They thought I was going through a phase. I had been accepted into medical school and was set to attend in the spring – giving up an opportunity like that was nothing short of insane, they said. My husband was the only person who had my back at all times, while others just pretended none of this was happening. Friends asked when I’d be leaving for med school. Family mentioned when they heard of a new counselor position opening up. I was mocked constantly and openly. According to general consensus, I had just made the worst career decision of all time.
But wait…why am I telling you all of this?
Because today, I paid off my student loans.
Today, I paid off $40,000 in student loans that I acquired pursuing degree programs everyone told me would lead to a financially stable and satisfying career, all with money I made from a career everyone told me was the equivalent of financial suicide.
I spent $40k to guarantee myself a “real job” then paid it off with money made from a “hobby”.
Suck it, haters.
To be completely honest, I’ve spent an embarrassing amount of time fantasizing about how I would celebrate when this day came. Perhaps I’d buy a plane ticket to a faraway beach and sit under an umbrella while someone brought me a never-ending supply of margaritas, or better yet maybe I’d take a trip down to the Billings animal shelter and spend the day adopting every single pet in the mothafuckin’ place. Who knows, maybe I’d run through the streets of Billings shouting, “NO STUDENT LOANS, BITCHES!” all while throwing dollar bills in the air behind me…and then later going back to retrieve them of course because let’s be honest, I still need those and I’m not in a music video.
But now that this day is finally here, all I want to do is write about it. All I want is to let you know that if you’re in a similar situation I was in 4 years ago, where you feel completely trapped, depressed and utterly terrified at the idea of starting over, there is a way out.
We have these struggles in every aspect of our lives. Whether it’s a career move or a bad relationship, there are always changes we avoid making even when our gut is telling us, indisputably, that something is wrong. We’re terrified of all that time and effort (or in my case, 6 years and $40,000) being for nothing. It’s not easy, but there comes a point where you either make the decision to keep pouring in resources to a dead cause, or cut your losses and head in a new direction. Remember, time and effort already spent is not an indicator of time and effort to be sacrificed in the future.
Regardless of all the embarrassment and fear that comes with putting yourself out there, sooner or later all of it passes and all you’re left with are the consequences of the decisions you’ve made. Each day is an opportunity to take a small step in a new direction. If you’re unhappy, change something. Good things don’t come to those that wait; good things come to those that know what they want and work their asses off to get it.
Four years ago I was at the bottom of a massively large financial hole, stuck in a career path I had chosen to pursue, and scared stiff of the embarrassment I would face knowing I’d have to explain my decision to do a complete career 180. And just last week, I was finishing up a shoot at Flathead Lake, and someone mentioned having to go to work the next day and I thought to myself, “I am at work. This is my job. I’m getting paid to be here, right now, sitting in the sunshine on the shoreline of one of the most beautiful places in Montana. This is what I do for a living.”
“This is my life now.”
For any of you out there on your path to photography, I made something just for you. Something I really, really wish had been there when I first started.
This last winter was pretty rough.
I won’t get into details, but like so many others I found myself craving the feeling of warm sunshine like never before. I was wearing shorts in February folks, simply as an open boycott of winter. I was done. I needed to be surrounded by cheerfulness and green, so when Kim & Eddy’s, a local boutique downtown asked me to put something together for their May 1st Grand Opening, I thought these double exposures would be a perfect fit. Flowers for all!
Hope you’re all having a wondering spring, and here’s to a happy summer as well!! 🙂
One of the great things about shooting weddings along with fine art, is you get to meet a lot of incredibly creative people, including florists. When Katie from Mac’s Floral asked if I wanted to work with her to create a dark and ominous ballet inspired shoot for Halloween, of course I said yes! We called up a few models and our awesome makeup artist, Sydney, put together the outfits and bouquets and scheduled a time at Billings Open Studio. Anna and Jessica (from the Billings Terpsichore Dance Company) did an amazing job. They did everything I asked, all while tangled in a ridiculous amount of fabric…in pointe shoes.
In the end, this was the final result. This shoot was so much fun and I cannot wait to work with these amazing girls again!!
If you’re reading this article in secret, calm down – we’ve all been there. We’ve all struggled with that little voice in the back of our heads that takes every situation and spins it around to show us everything that could possibly go wrong:
“You know no one is ever going to print this…”
“Have you seen their work? Wow you’re so far behind…”
“What if no one hires you? Like, literally…what if not one single person hires you?
“What makes you think you know the first thing about running a business? Give me one example of another business you’ve successfully run.”
“What if all of this has been for nothing?”
These sentences are barely the tip of the iceberg when it comes to negative self talk. And even with the abundance of articles gently suggesting that you just, you know, “trust yourself” or “think happy thoughts,” I wanted to offer something a bit more practical. So instead of sticking with the rainbows and butterflies approach, I’ve made a list of my top 10 tried and true methods for combating self doubt.
1.) Find The Source
I’m not saying you have to go all the way back to childhood to figure yourself out. Sure, there was that one time when you were 8 years old and you drew a picture of a rainbow for your grandma and she told you it was rubbish and ever since then you’ve been unable to feel a sense of self-confidence. Get over it. You were 8, you’ve probably done better rainbow work since then, and we both know your grandma was usually drunk anyway.
But there is always a starting point. Is it the second you hear about a new assignment, or are you usually pretty excited about it until you get home and a concerned family member starts worrying aloud? Or are you an “end of the project” kind of person, like myself. I’m excited the entire time and then just as I finish up the editing process I begin thinking of everything I should’ve done differently.
By identifying the exact moment negativity starts creeping into our minds, you’re able to start nailing down a pattern, and this helps you determine if there is a specific situation or person that is making you feel this way. The sooner you know the source, the sooner you can nip it in the bud.
2.) Write It Down
Sometimes self doubt is all in your head and sometimes it isn’t. Writing your fears down allows you to see them as tangible problems in the real world, which is the first step in addressing them. Go ahead and write down any thoughts of self doubt. Then begin to examine them.
Let’s say you’re afraid of submitting to magazines because you’re afraid no one will write back. Ok, fair enough – now let’s examine that. What would happen? Would your career be over? Would you ruin your reputation? Would you lose money? What is literally the worst thing that could happen?
3.) Plan For The Worst
Go ahead. Think of the worst possible case scenario and then plan for it.
Let’s go back to our magazine example from Tip #2. First of all, understand that you will receive some rejections. Hell, just while writing this article I received a submission rejection. But what’s the worst thing that could happen? Drumroll please…you feel shitty. You feel a little embarrassed because no one liked your work enough to publish it. Okay, that’s life, but that doesn’t mean your career is over or you’ve ruined your reputation as a photographer. In this worst case scenario, the risk really isn’t as terrifying as your mind is making it out to be.
And in other cases, that risk really is a pretty big deal and planning for the worst case scenario is absolutely necessary. Maybe you’re considering taking out a loan to open a studio, for example. In this case, your partner isn’t being negative when they ask if you might go broke, they’re being a realist. By writing it down and discussing it, you can address many of the issues you both may have and determine whether or not this is a risk really worth taking. And if it is, you can plan for the worst in case things don’t work out how you hope they do. By creating a plan, you take away the fear of the unknown that naturally comes with so many of these risks. This will allow you to focus on what you need to do to move forward.
4.) Take It Step-By-Step
I’m a runner. I usually run a minimum of 6 miles a day, but other days I’ll go all the way to a full 13.1 miles, just to see if I can do it. I never walk out of my front door knowing I’ll be running 10 miles today though, instead I tell myself I’ll run for 20 minutes. I run in one direction – ensuring I have to also run 20 minutes back. At the end of the first 20, I’ll decide if I feel good enough to run another 10 minutes, and then maybe another (always in the same direction). The farther I run in one direction the farther I have to run to get back. I don’t think about the total 10 mile stretch, only the first 2 miles, and then one mile at a time after that.
It’s the same with business. In the beginning, it can feel overwhelming: build a website, create a price list, make social media sites, order sample items, streamline your portfolio, order business cards, draw up client contracts, contact other vendors and businesses, create marketing flyers, and so many other things. But you can’t look at it that way or you’ll never get past the first mile. Make a list of steps and then break those steps down into even smaller steps. Create a timeline. Determine exactly what it is you need to do and set a goal date for each step to be completed by. By creating a clear cut list, you simplify the process in your mind, thereby leaving less room for doubt to creep in.
5.) Set Yourself Up For Success
I write in the morning. As in, 2:30 in the morning. I don’t know what it is, but writing during the day is incredibly difficult for me. I can’t find my vocabulary, my brain is fuzzy and it takes forever to bust out an article. I get nowhere and I feel like a complete failure. Early morning hits though and I’m on fire. So I don’t write at 2:30 in the afternoon, I write at 2:30 in the morning. Don’t make things harder on yourself than they already are.
6.) Cultivate A Support System
We all need a little push now and then, and that’s where your support system needs to kick in. Are you dragging your feet for serious reasons or are you just being a pansy? Do you need someone to gently feed your ego or do you need someone to light a fire under your ass? Your support system can help point you in the right direction and help give you what you need when you need it most.
7.) How Would I Say This To My Best Friend?
The main problem with negative self talk is we say to ourselves what we would never say to anyone else. You’d never, in a million years tell your best friend, “Are you kidding me? No way you’d get accepted into that gallery! What are you even trying for? God, just give up already.” But when it comes to critiquing ourselves, our manners go right out the window. Next time you hear that voice talking down to you, try and think about how you would phrase it to someone you really care about, you know, like yourself. And speaking of being nice to yourself…
8.) Take Care Of Yourself
It’s pretty easy to think poorly of yourself when you’re already in a downward spiral. I can choose to start a project after I’ve binge-watched the entire last season of Game Of Thrones while eating a stuffed-crust pizza, or I can start a project after I’ve run 6 miles, taken a shower and had a fruit smoothie. Which one do you think is going to have a better effect on that little voice in charge of all my self-talk?
9.) Get Answers
The main reason we doubt our ability to do something is because we have no idea where to start. So figure it out! Find someone that knows something about the area you’re struggling in and ask them for help! Get on Google or spend some time on YouTube. Stop wasting time feeling sorry for yourself for not knowing anything when there is this thing called the freaking INTERNET right at your fingertips.
10.) Just Do It Already
Yes, you’ve gone through all the planning and you’re still unsure of yourself. Well…suck it up. I’m sorry to say but that is probably never going away. It’s likely there will probably never be a time when you will feel completely safe and comfortable as an artist, but isn’t that part of the excitement of it all?
If you’re really stuck in the mud, here’s a little tip: count to three, and when you reach three, go for it. Press the send button, sign the papers, post the image. It’s like diving into a pool or trying escargot for the first time. Sometimes you just have to go ahead even with that little voice screaming like mad.
On one of the chilliest days in February, two awesome friends and I set out to have a little fun out in the middle of nowhere. We spent the entire day swapping between trekking through abandoned buildings and desperately trying to warm up inside the truck. While Tony (with Big News Photography) and I were having a hard time even feeling our cameras, Kate was dancing around in little more than a cotton sundress. So it’s pretty safe to say she’s a badass.
Even though this was easily one helluva challenging day, it was also a pretty damn awesome one.
Sometimes it’s worth it just to go and shoot without having any plans beforehand :).
To quote a recent article I read titled “Do What You Love” Is Horrible Advice: “It’s easy to confuse a hobby or interest for a profound passion that will result in career and business fulfillment. The reality is, that type of preexisting passion is rarely valuable.”
If you haven’t read that article go ahead and take a trip over there when you get a chance…or not, if you’d rather not be fuming the rest of the day. The author is a great writer, with many other fantastic articles, but this one was just so…wildly inaccurate. I tried to just label it as one of those unfortunate things orbiting the internet, but it was just gnawing at me. How many potential artists are out there now, squashing their dreams because they’re reading fear-mongering articles like this on the internet?
Well hopefully not a lot, but still, the thought of some teenage kid selling his guitar because too many people told him music was a “hobby” and not a career choice just kills me. He’s a teenager. Anything is a career choice.
Of course people are all entitled to their own opinions, right?
Exactly, which is why I’m going to spout mine off right now.
Unconditional Support May Fade Fast…
As we’re growing up, we’re told we can be anything. We’re told we can be astronauts, painters, unicorn tamers and anything else our little minds can dream up. A 5 year-old proudly proclaims she’s going to be a “rockstar” and the adults laugh and smile and say, “My goodness honey, of course you are!”
Then somewhere down the line, we’re told to get real. We’re told to “get our heads out of the clouds” and start putting our efforts towards a feasible career. The idea of following our passion becomes a joke, and we’re told that art, in whatever capacity, is a hobby. People list off countless things they themselves are “passionate” about but could never get paid for, and then recite a mountain of inaccurate, old wives-tale statistics:
“You know you have a greater chance of getting struck by lightning than you do of ‘making it’ as an actor…right?”
Now there are two arguments here: 1.) Passion alone doesn’t get you anywhere, and 2.) Where is the market? If there is no one to pay you for it, even if you are good, how can you make a living?
And for those points I have two responses: 1.) The concepts of talent and passion are widely misunderstood, and 2.) There is always a market.
Now this is the part where many people will say I have entirely overstepped my boundaries and have finally reached the point where the advice I give new, emerging and struggling artists does them more harm than good. That in this era of realism, dreams serve the sole purpose of glittery fairy tales we tell our children until they reach puberty and then we shove a spatula and a job application in their hand while cynically smirking, “Life’s not fair, deal with it.”
Well, fuck that – and here’s why.
1.) Talent and Passion Are Not What You Think
Talent is no more than a word people use to describe a person’s skill level when they haven’t been around to witness first-hand the process of developing that skill. Musicians, dancers, painters, all of them, did you see their work when they first started out? They sucked. The hit wrong notes, had two left feet and couldn’t paint between the lines to save their damn lives.
They were absolute shit.
In fact, it wasn’t until they had already put hours and hours and hours of time in, before people started saying, “Wow, you’ve got a real talent for that.”
Because here’s the thing, while some people do naturally gravitate to box of colored pencils instead of a calculator, the act of producing art itself is still a skill, and I cant stress this enough – skills can be learned.
In fact, many features we take for naturally occurring personality traits (i.e. willpower, creativity, focus) are actually skills; all of which can be further developed with deliberate practice.
Quick side-note – I promise I’m not just blowing smoke up your ass and I would gladly link to peer-reviewed journals listing the relevant scientific data for all these claims, but it’s 3:30 in the morning and I just don’t want to. I will tell you though, that I have personally studied all of this, as I have a Master’s in Psychology, specializing in neurological processes and behavioral health. If you don’t believe me I encourage you to schedule an appointment with your local psychology professor.
Okay, so what does passion have to do with anything?
The word “passion” is far overused in today’s common conversation. You hear people say, “I’m incredibly passionate about rock music,” when what they really mean is, “I, like, really, really like this one band I saw in concert last week.”
Passion is not just a love for something, it’s an obsession: an obsession capable of motivating people to practice a specific skill for an unrealistic amount of time. All those things that people list off to you as examples of things they are “passionate” about but could never get paid for – they’re right! But those aren’t passions they’re just stuff they like…as a hobby. And yes, if photography is your dream job but you dedicate the same amount of time to it as you would to any other hobby, you absolutely won’t be able to find anyone willing to pay you for it. However, if you’re really passionate about photography, you’ll spend every waking second trying to improve. You’ll stay up late on YouTube researching various lighting setups and editing techniques, you’ll make your own gear when the real thing costs too damn much (like this underwater camera housing) and you’ll take classes and workshops to further your skills, and all that extra time really adds up.
To put it bluntly, passion can get you everywhere, because it means you have the desire to put in a highly abnormal amount of work to excel at a particular skill; a skill, that when taken to a whole new level, is absolutely marketable.
So while you may suck right now, that’s okay, you already have the most important tool to producing amazing results. What you need now is practice and time.
Now on to my other point…
2.) There is ALWAYS a Market
The article above (along with countless others spanning the internet) lists one question as the one you should be asking when pursing your dream job: “Will people pay me for it?”
But that’s not the right question. Instead, what you should really be asking yourself is, “How can I prove to people my work is worth paying for?”
I’ll explain. Here’s a line I’m sure we’ve all heard many times: “Well maybe you should still get an accounting degree or something. You know… just in case.”
Ah, yes. If I had a nickel for every time I’ve heard someone give me “just in case” advice to prepare myself for inevitable failure…well let’s just say I’d own an impressive collection of jet skis by now.
You never hear people tell accountants to get another degree, “just in case.” No one ever tells med school students that maybe they should learn welding, or construction or some other trade skill so when this whole “being a doctor” phase wears off they’ll at least have something to “fall back on”.
The fact is, people only pay for things they either want or need, and when your passion falls into a field that meets an obvious market need, following it is completely acceptable. People need doctors. People need accountants. Supply and demand; it makes perfect sense.
Art, on the other hand…
Art is seen as a “want”, which means that people have a harder time understanding the market for it unless they themselves are a part of that specific target audience. Someone that would never consider buying a piece of art for $1000 will have a very hard time reasoning how anyone else could possibly make a living selling art for $1000.
But there surely can’t be a market for everything…
Yeah, actually, there pretty much is. You can make money doing virtually anything nowadays, provided you market it correctly. Ever heard of the NYC Naked Cowboy? He plays a guitar and sings songs in his underwear and a cowboy hat. And now he’s sponsored by Fruit of the Loom and has a net worth of over 2.5 million dollars.
Take that, guidance counselors of the world.
The point is, whether the market exists or not isn’t the problem – it’s real and it’s there. Reaching it is the issue. So develop a strategy – figure out what the hell you have to offer and how you’re going to get it out there. Who is your target audience? What value are you offering them? How do you explain to them that what your selling is going to benefit their lives in some measurable way?
I’m not saying that you can quit your day job, buy an art kit, take a modern watercolor class and begin a successful painting career next week – I’m saying that creating a career out of something you’re genuinely passionate about is a very, very real possibility, and contrary to popular opinion you’re not doomed to a life of waiting tables while you try and make something out of those “doodles” you’re always working on.
Put in the effort to hone your skills and create a comprehensive marketing strategy to sell the application of those skills. That, is how you begin a successful career of doing what you love.
And for the future photographers of the world – here’s a little something I made just for you to get you on your way.
Probably shouldn’t have done that…
From time to time I like to browse some of my favorite photographers’ work to see what they’ve been up to. It gives me inspiration, new ideas, and also lights that competitive fire under my ass.
But sometimes it has the opposite effect. Sometimes I see something so unbelievably good that I sink into a deep chasm of self-doubt and frustration.
Today was one of those days.
Now when it comes to underwater photography, I am obsessed. So obsessed in fact, that when I learned the cost of underwater camera housing apparatuses ($2,000?! What?!), I built my own. Hell I’ve been obsessed with water itself for as long as I can remember. I think it’s the weightlessness of it mixed with just a touch of danger. Swimming to me feels like flying – if the air could kill you at any moment.
Even in my above ground portfolio, you really don’t even have to look very hard to see watery influences. In almost every photo, there are people and objects floating around, and water is consistently a central theme. I’m either standing in it, sitting on a car in it, put someone else under it or have it coming out of an umbrella (multiple times). It’s actually pretty funny to look back and see that unintentionally, I’ve always had water somewhere in my photos.
So one of the photographers I casually stalk (read: intensely dream about working with someday) is Zena Holloway. Her work is stunning. Like, crazy good. It’s so gorgeous that it actually pisses me off on a certain level and if I ever meet her I already know she’s going to hate me because I will either completely freeze up and say something creepy and inappropriate (my default mode) or I will ask a million questions and annoy the bajesus out of her.
So two great options, really.
But last month she posted a behind-the-scenes video of one of her underwater photography shoots:
As always it’s amazing, but shortly after watching I found myself frustrated. Seeing her models gracefully pose while I consistently flail about made me think of the countless “Nailed It” moments you find on Pinterest. I should’ve known just from reading the description what I was getting into.
“750,000 litres of water
One 5m high bed
Six hours to set up
Eight hours to shoot
Nine underwater crew
Seven underwater cameras
53 seconds without drawing breath
1,609m of hair extensions
217 Valsalva manoeuvres
…and 62 wet towels!”
I spent all day yesterday setting up and shooting. My list was as follows:
Dresses from Goodwill
Light from Home Depot
Bottle of Jameson
And then comes the self-pity party. “If only I could just borrow some designer clothes. If only I knew a qualified hair and makeup person that could do the look I’m going for. If only I had access to a better lighting system, a different lens, or a better location.”
“If only, if only, if only, blah, blah, blah, blah blah!”
See, this actually happens a lot. The pity party hits, and then I calm down and remind myself of a few solid points: 1.) All of this awesome stuff does not make an amazing photographer, these are tools that amazing photographers have acquired over the years. I’m very doubtful anyone has access to all this amazing equipment and vendors from day one, and 2.) It takes time. Photography is an art that takes for-freaking-ever to learn and there is no rushing the process. Eventually, slowly but surely, I’ll get there.
And you will too :).
Essentially, the video below is all you ever need to keep in mind. Trust me – I watch it anytime I need to pull myself out of a bit of a slump :).
And if I ever do get to meet Zena, maybe we can just hangout. Nothing serious, just, like, drink some tea, talk about photography, get matching tattoos…that sort of thing ;).
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As you may have known, I’ve spent the last month living in New York City. The opportunity arose to assist Lindsay Adler for a month and without hesitation (of course) I took it. I had been home one day from Fotofest (which was another amazing experience, soon to be recorded in blog form) when I made the decision. A couple days later I found myself on a flight to the Big Apple.
First off, let’s state the obvious. New York is about as different as you could possibly get from Montana. Literally everything: the landscape, the people, the smells, the stores, the food, the entire way of life, is the complete opposite of what I’m used to. And while different can, at times, be very overwhelming (How the f*ck do you get out of Penn Station?!?!) it can also teach you a few valuable lessons in the process. And when it comes to New York, there are definitely a few things about I believe everyone could benefit from.
1.) Toughen Up
We all have our insecure moments, but New Yorkers don’t show it. Everyone in the city is trying to make it; whether they’re an artist, a musician or even a broker, literally everyone is gunning for success. And when you have that much competition floating around you, you either step up your game, or slowly wither away and move to Spokane (sorry for the cheap shot Spokane, but you’re still on my shitlist from last year).
New Yorkers have a gritty, self-assured kind of confidence, primarily because if you look like you can be taken advantage of, you will be taken advantage of. The people are just as nice as anywhere else I’ve been, but at some point you’re just in in the damn way. People will yell at you on the street and cars will honk at you because it’s Tuesday, but defend yourself a little bit and they back off. There is no convenient time to be a pushover.
2.) Make a Decision Already
Personally, I tend to stall on the decision-making process. I waste far too much time tossing around an idea when I could’ve moved on to much more important tasks weeks ago.
New Yorkers don’t seem to have this problem, and when you have shit to do and a very limited time to do it, it’s easy to understand why. Besides the commute sucking the time and energy out of your day (I had a good hour and a half commute from New Jersey to Lindsay’s studio everyday), you always have someone breathing down you neck – literally and figuratively. When met with a crossroad, don’t stand back and hope the right choice will just “come to you”, because while you float around in Lala Land, someone else is already assessing the situation and putting all the pieces together. Hard decisions are just as time-sensitive as easy decisions, so get on it.
3.) Be Genuine
I’ve always known this was an essential part of doing business (as well as living a good life in general) but I didn’t realize how much it’s truly appreciated until I came to New York. With the population being what it is – a little over 8.3 million – you’ll find yourself interacting with hundreds of people each day. In addition, so many interactions consist of people wanting something from you and you can see right through them. It’s easy to go into autopilot and tune out for a while…but don’t. The smallest genuine gesture can mean a world of difference to someone that has been seen as a virtual pocketbook all day long.
4.) Walk More
I’ve literally rediscovered walking. You should too. It’s awesome.
5.) Examine Your Risks
You all know how much I love taking risks. At this point it’s almost more of a not-so-adorable side hobby, but New York has made it into a fine art. A single well-calculated risk can make your entire career, but an brash decision can destroy it. It’s up to you to roll the dice, but you’ve got to stop being so damn scared all the time. Some chances are worth taking and others are not. Learn to tell the difference and make a move.
6.) Take A Break
In general, I tend to thrive best with my head just barely above water. Comfortable to me is synonymous with boring, and I just can’t grasp the idea of not having too much on my plate. That being said, everyone needs a break once in a while, and New York has a not-so-subtle way of reminding you that maybe, just maybe, you need to get away for a little bit before you go postal on the train to Jersey.
And if you ever need someone to talk to feel free to talk to me – I answer best through email or on my Facebook page, Jenna Martin Photography :).
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I can vividly remember the first day I opened my photography business. I had spent weeks getting everything in order, from my official business license to my website to my own, handmade personal logo. I had all my release forms printed out, a folder to keep them organized and a calendar all laid out, complete with color coded markers I would use for each different session I would (hopefully) be booking in the near future.
Oh yeah…I was fancy.
I was also naive. I took advice from anywhere I could get it, regardless of the source. Fellow photographers, internet business articles and Facebook photography groups were my best source of information, and honestly, it was quite a mixed bag. There was a lot of information that was complete (pardon my french) bullshit, and I wish for the life of me there was a way to go back and talk some sense into my early photographer self. However, since I’m still not the proud owner of my very own, personal time-machine, I figured spilling the beans to the rest of you might be just as productive.
Myth #1: The Photography Market is Over-Saturated – There’s No Room For You
I heard this little tidbit countless times during my first year as a photographer: that I better have a backup plan, that I shouldn’t invest too much money into my business because it was only a matter of time before I realized it was doomed for failure.
Here’s the thing – photography is an over-saturated market – with mediocre photographers. There are plenty of people out there with cameras calling themselves “photographers” that shoot on auto and have no idea what the hell “ISO” and “DOF” even stand for. And that’s okay! Those people aren’t your competition.
Your competition is the photographer that is doing exactly the same business model as you are, which (as you’ll read in the next point) probably isn’t happening. I’ll give you an example:
There are hundreds of professional photographers in my town, but I’d say the number of truly, truly exceptional ones are under 20. Of these, they all specialize in different areas. I know of maybe three utterly fantastic weddings photographers, two unbelievably talented newborn photographers, a couple boudoir specialists, a few senior photo pros, one fashion shooter, a couple insanely talented photojournalists and one unbelievable landscape/interior photographer. Then there is me who shoots fine art. There is plenty of room for all of us. Which brings me to Myth #2…
Myth #2: Fellow Photographers Are Your Worst Enemies
For semantic’s sake, I put this as the second myth, but really it should be #1, hands down. Your fellow photographers aren’t your competition – they’re your best allies! Let me explain:
Wedding photographers, for example, can only shoot one wedding a day (and many times, only one wedding per weekend), so what happens when someone calls for a day they’ve already booked? They refer out to other wedding photographers! As a fellow wedding shooter it’s in your best interest to have a fantastic working relationship with every other wedding photographer in town. If they can’t do the job, you’re first on their referral list.
Plus, with everyone specializing in so many things, it only makes sense to work together. Many wedding photographers aren’t interesting in shooting newborn babies, but you can bet a year after a couple gets married the first one they’re going to call as soon as they’re expecting is their wedding photographer. So refer to your favorite newborn place, and in turn they’ll refer weddings to you. Why wouldn’t they? A wedding sent to you is a guaranteed client the following year!
In addition, getting to know your fellow photographers also give you the chance to collaborate with something amazing. The photographers in Billings are now some of my closest friends and I would be miles behind in business if I hadn’t gotten to know them. Besides, who are you going to share nerdy photographer humor with? Because contrary to what you might think, your cat is not laughing at your random jokes about shutter speed and F-stop.
Myth #3: You Can Finally Get Out From Behind That Computer
Sorry folks, but not quite. As a fine art photographer, the vast majority of my time is spend sitting behind a computer screen, editing individual pixels one after the other, but it’s similar with others in the business as well. The time you spend shooting is actually a very, very small percentage of how you’ll spend your time, and most of it will be on the computer. Editing, marketing, submitting content for publishing, writing blog posts, filing, accounting, and a thousand other things I can’t think of right now because I’m in the middle of Myth #4.
Myth #4: Owning Your Own Business Means Making Your Own Hours
Oh…honey. Owning your own business means working all hours. See this is where a photography business has the exact same quality as every other small business that has ever been in existence – you’ll work far more than 40 hours/week. It takes literally every ounce of time you have to get your business off it’s feet and moving in the right direction.
Myth #5: Your Photographs Sell Themselves
Oh dear God no they don’t. I admit it’s very difficult to sell in the beginning, especially since you’re fully aware of your lack of experience in the photography arena. If you’ve only been a professional photographer for three weeks it can be very difficult to convince a client they should hire you without sounding like you’re begging. But sales is all part of the game and the sooner you learn to sell yourself, the better.
Myth #6: A Successful Photographer Makes a Lot of Money
A successful photographer makes enough to support themselves as a photographer. That is all.
Myth #7: You Should Specialize. Immediately.
Woah, calm down there. Photography is such a vast field, it takes a while to find out what you’re truly passionate about. I’ve gone from portraits, to night photography, to weddings, to pets, to fashion to fine art and loved every one of those genres…for a while. Then I moved on to something else.
Don’t tie yourself down in the beginning. Feel completely free to branch out among other areas of photography. Try a boudoir shoot or tag along for a wedding. Attend a fine art photography workshop (hint hint: here’s an awesome one coming up soon) or take on a couple senior clients to see if that’s something you’d be interested in.
Myth #8: “Natural Light Photography” Is A Thing
Calling yourself a “Natural Light Photographer” simply means you don’t know the first thing about alternative lighting. Don’t get me wrong, natural light is fantastic (it’s definitely my preferred method of shooting), but you can’t use it as a crutch for not learning how to use proper equipment. Intern at a studio and banish this phrase from your website.
Myth #9: It’s All About The Gear
You know the fastest way a photographer breaks someone of this thought? As soon as someone comments on how amazing our camera must be to take such awesome pictures, we hand it to them and let them snap a few on their own. Everything changes after that.
Because it’s not about the equipment you have, it’s about whether or not you know how to use it. I’ve seen photographers with incredibly expensive gear take some downright embarrassingly bad photos, while witnessing other photographers take spectacular photos on their iPhones. Don’t run out and throw a bunch of money at the newest thing – it’s better to have something modest and then spend your money learning how to properly use it before moving on to bigger and better equipment.
Myth #10: You Can Do Every Aspect Of Your Business By Yourself
You know that feeling you get in the pit of your stomach when a friend tells you they’re saving money by having their cousin photograph their wedding? Yeah, that’s the same feeling every accountant in the world gets when they hear you’re saving money by doing your own taxes. Certain things (like taxes and photographing someone’s wedding) should be left to the pros.
Myth #11: You Will Eventually Get Sick of Photography
I’m not going to lie – life as a photographer is tough, hectic and never seems to end, but here’s another secret – I love every second of it. In fact, the reason my work/free time lines are so blurred is because the first thing I want to do when I have some free time is shoot!
Think about it this way: I recently had a conversation with a friend about retiring. She said she’d happily retire ASAP while I told her I didn’t think I’d ever retire. She stared at me with wide eyes until I asked her what she would do with her time off and she replied with, “Photography.”
And if you ever need someone to talk to feel free to talk to me – I answer best through email or on my Facebook page, Jenna Martin Photography :).
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We’ve all heard of the “365 Project” for photographers. And while I attempt to do one every year (I’m in the middle of another one right now), let’s be honest for a second here – not everyone has the time to take and edit a photo every single day. So instead, I’ve created a 52 week project that’s a bit more realistic.
If you head on over to my Facebook page (Jenna Martin Photography) you’ll see an album titled “52 Week Photography Challenge”. I upload a single photo each week to introduce that week’s theme and then you leave your photo in the comment section! Don’t worry if you missed a particular week – just leave your photo in the comment section anyway! You all know I’m not a huge stickler for rules. ;).
So if you’re in the mood to up your creative game, head over to my Facebook page and see what you can come up with! I look forward to all the different interpretations every week!
This is one of those photos that happened all at once. I had made up my mind to shoot another photo this night, but as soon as I drove past the skatepark I completely changed gears (get it…nice). I decided I wanted to do something completely different. So I went home, changed, and headed back down to the local skatepark and hoped there were still people there.
There were. There were plenty of people there. The 90 degree day had slowly cooled off to the low 80’s, meaning it was just about perfect weather for a little time-killing.
Believe it or not, this was actually one of my easier photos to take. After I did the floating part, I just sat back and relaxed while I took plenty of photos of everyone else doing their tricks. Of course no shoot is complete without just a little bit of goofing around…
And then here are a few “extra” photos 🙂
Not a bad night if you ask me :).
In the end, this was the final photo. It was awesome getting to hang out with everyone, and thanks to all the people that let me photograph them doing awesome tricks!
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I’d actually been waiting for a cloudy day for this picture, but since the suitcases are on loan I decided last night was as good of circumstances as I was going to get, and in reality, I kind of like the way it turned out with the setting sun in the background.
I have to say, while some photographers plan their shoots to the millimeter, I tend to be more of a free spirit. I have a general idea of what I want the photo to look like in my head, but until I’m on location I never really set anything into motion. I guess you could say it all kind of comes to me in the moment. Sound cheesy? Probably, but I can’t quite think of a better way to explain it.
For this photo, I used suitcases as my prop. I set my camera up in the direction I wanted then began photographing myself until I got an image I was happy with. Fortunately (since I was quickly losing light) I hit a decent pose rather quickly, which meant the rest of the night was spent positioning my props the way I wanted them. Besides the obvious stares from cars passing by (no doubt wondering who the crazy lady dressed in white is and why she is standing on the side of the highway throwing suitcases into the air), the shoot went pretty quick. I snapped this photo right in the middle of the fiasco while taking a much needed break (it’s hard work throwing suitcases around!).
The editing, however, is not a fast process. It’s now 4:50 am and I’m just getting around to finishing up the blog post. Here’s a little peak of my morning as the editing goes along:
While I say I have about 8 or 9 layers going in the video, the final photo ended up as a composition of 32 layers, then a few extra for effect. It all came together for this final product:
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On my first outing with my underwater camera housing, I had no idea where to go. I knew the water had to be semi-clear, but I had no idea just how clear. Could there be a little murkiness? Would I maybe actually like the murkiness? How much was too much to where it would distort the image? I had no idea. So the first place I went was to Lake Elmo, a spot right here in Billings. Granted, it’s known as a giant mud puddle to locals, but I needed to start somewhere. I recruited my boyfriend’s mom, Eddy, to come hold the camera while I attempt to model underwater.
Turns out, Lake Elmo was not the best place to start. The water was so murky I couldn’t see anything more than 6 inches in front of my camera. One hour of work down, no results. Next location.
Spot #2 was the river. I figured with moving water, the fine muck and mud would be washed downstream and the water would be fairly clear. I was even curious to see what the motion would look like. But alas, it was still too murky. I could see a vague blur of color where the subject was, but there still wasn’t anything I could possibly edit. I’m still in search of a deeper part of the river where the dust and mud can settle, but for now I needed another option.
I’d already taken pictures at the pool, but everything had that blue tint. I thought it was just the background of the pool itself, so I brought a variety of backgrounds. As it turns out, the blue tint is because of the chlorine. It can taken out in post, but it’s definitely quite the process. I needed an unchlorinated spot.
Eddy explained that we could try her hottub. It was tiny, but it was unchlorinated. Sure we were going on 3 hours of wasted time and I was unsure of whether or not I could even get a photo in a tiny space, but we had to try. So I put a wide angle lens on my camera, submerged myself in barely 1′ of water and clicked away. And these were a few of the results :).
Feel free to click here if you’d like to learn a little more about how I made my underwater camera housing :).