One of the great things about shooting weddings along with fine art, is you get to meet a lot of incredibly creative people, including florists. When Katie from Mac’s Floral asked if I wanted to work with her to create a dark and ominous ballet inspired shoot for Halloween, of course I said yes! We called up a few models and our awesome makeup artist, Sydney, put together the outfits and bouquets and scheduled a time at Billings Open Studio. Anna and Jessica (from the Billings Terpsichore Dance Company) did an amazing job. They did everything I asked, all while tangled in a ridiculous amount of fabric…in pointe shoes.
In the end, this was the final result. This shoot was so much fun and I cannot wait to work with these amazing girls again!!
To quote a recent article I read titled “Do What You Love” Is Horrible Advice: “It’s easy to confuse a hobby or interest for a profound passion that will result in career and business fulfillment. The reality is, that type of preexisting passion is rarely valuable.”
If you haven’t read that article go ahead and take a trip over there when you get a chance…or not, if you’d rather not be fuming the rest of the day. The author is a great writer, with many other fantastic articles, but this one was just so…wildly inaccurate. I tried to just label it as one of those unfortunate things orbiting the internet, but it was just gnawing at me. How many potential artists are out there now, squashing their dreams because they’re reading fear-mongering articles like this on the internet?
Well hopefully not a lot, but still, the thought of some teenage kid selling his guitar because too many people told him music was a “hobby” and not a career choice just kills me. He’s a teenager. Anything is a career choice.
Of course people are all entitled to their own opinions, right?
Exactly, which is why I’m going to spout mine off right now.
Unconditional Support May Fade Fast…
As we’re growing up, we’re told we can be anything. We’re told we can be astronauts, painters, unicorn tamers and anything else our little minds can dream up. A 5 year-old proudly proclaims she’s going to be a “rockstar” and the adults laugh and smile and say, “My goodness honey, of course you are!”
Then somewhere down the line, we’re told to get real. We’re told to “get our heads out of the clouds” and start putting our efforts towards a feasible career. The idea of following our passion becomes a joke, and we’re told that art, in whatever capacity, is a hobby. People list off countless things they themselves are “passionate” about but could never get paid for, and then recite a mountain of inaccurate, old wives-tale statistics:
“You know you have a greater chance of getting struck by lightning than you do of ‘making it’ as an actor…right?”
Now there are two arguments here: 1.) Passion alone doesn’t get you anywhere, and 2.) Where is the market? If there is no one to pay you for it, even if you are good, how can you make a living?
And for those points I have two responses: 1.) The concepts of talent and passion are widely misunderstood, and 2.) There is always a market.
Now this is the part where many people will say I have entirely overstepped my boundaries and have finally reached the point where the advice I give new, emerging and struggling artists does them more harm than good. That in this era of realism, dreams serve the sole purpose of glittery fairy tales we tell our children until they reach puberty and then we shove a spatula and a job application in their hand while cynically smirking, “Life’s not fair, deal with it.”
Well, fuck that – and here’s why.
1.) Talent and Passion Are Not What You Think
Talent is no more than a word people use to describe a person’s skill level when they haven’t been around to witness first-hand the process of developing that skill. Musicians, dancers, painters, all of them, did you see their work when they first started out? They sucked. The hit wrong notes, had two left feet and couldn’t paint between the lines to save their damn lives.
They were absolute shit.
In fact, it wasn’t until they had already put hours and hours and hours of time in, before people started saying, “Wow, you’ve got a real talent for that.”
Because here’s the thing, while some people do naturally gravitate to box of colored pencils instead of a calculator, the act of producing art itself is still a skill, and I cant stress this enough – skills can be learned.
In fact, many features we take for naturally occurring personality traits (i.e. willpower, creativity, focus) are actually skills; all of which can be further developed with deliberate practice.
Quick side-note – I promise I’m not just blowing smoke up your ass and I would gladly link to peer-reviewed journals listing the relevant scientific data for all these claims, but it’s 3:30 in the morning and I just don’t want to. I will tell you though, that I have personally studied all of this, as I have a Master’s in Psychology, specializing in neurological processes and behavioral health. If you don’t believe me I encourage you to schedule an appointment with your local psychology professor.
Okay, so what does passion have to do with anything?
The word “passion” is far overused in today’s common conversation. You hear people say, “I’m incredibly passionate about rock music,” when what they really mean is, “I, like, really, really like this one band I saw in concert last week.”
Passion is not just a love for something, it’s an obsession: an obsession capable of motivating people to practice a specific skill for an unrealistic amount of time. All those things that people list off to you as examples of things they are “passionate” about but could never get paid for – they’re right! But those aren’t passions they’re just stuff they like…as a hobby. And yes, if photography is your dream job but you dedicate the same amount of time to it as you would to any other hobby, you absolutely won’t be able to find anyone willing to pay you for it. However, if you’re really passionate about photography, you’ll spend every waking second trying to improve. You’ll stay up late on YouTube researching various lighting setups and editing techniques, you’ll make your own gear when the real thing costs too damn much (like this underwater camera housing) and you’ll take classes and workshops to further your skills, and all that extra time really adds up.
To put it bluntly, passion can get you everywhere, because it means you have the desire to put in a highly abnormal amount of work to excel at a particular skill; a skill, that when taken to a whole new level, is absolutely marketable.
So while you may suck right now, that’s okay, you already have the most important tool to producing amazing results. What you need now is practice and time.
Now on to my other point…
2.) There is ALWAYS a Market
The article above (along with countless others spanning the internet) lists one question as the one you should be asking when pursing your dream job: “Will people pay me for it?”
But that’s not the right question. Instead, what you should really be asking yourself is, “How can I prove to people my work is worth paying for?”
I’ll explain. Here’s a line I’m sure we’ve all heard many times: “Well maybe you should still get an accounting degree or something. You know… just in case.”
Ah, yes. If I had a nickel for every time I’ve heard someone give me “just in case” advice to prepare myself for inevitable failure…well let’s just say I’d own an impressive collection of jet skis by now.
You never hear people tell accountants to get another degree, “just in case.” No one ever tells med school students that maybe they should learn welding, or construction or some other trade skill so when this whole “being a doctor” phase wears off they’ll at least have something to “fall back on”.
The fact is, people only pay for things they either want or need, and when your passion falls into a field that meets an obvious market need, following it is completely acceptable. People need doctors. People need accountants. Supply and demand; it makes perfect sense.
Art, on the other hand…
Art is seen as a “want”, which means that people have a harder time understanding the market for it unless they themselves are a part of that specific target audience. Someone that would never consider buying a piece of art for $1000 will have a very hard time reasoning how anyone else could possibly make a living selling art for $1000.
But there surely can’t be a market for everything…
Yeah, actually, there pretty much is. You can make money doing virtually anything nowadays, provided you market it correctly. Ever heard of the NYC Naked Cowboy? He plays a guitar and sings songs in his underwear and a cowboy hat. And now he’s sponsored by Fruit of the Loom and has a net worth of over 2.5 million dollars.
Take that, guidance counselors of the world.
The point is, whether the market exists or not isn’t the problem – it’s real and it’s there. Reaching it is the issue. So develop a strategy – figure out what the hell you have to offer and how you’re going to get it out there. Who is your target audience? What value are you offering them? How do you explain to them that what your selling is going to benefit their lives in some measurable way?
I’m not saying that you can quit your day job, buy an art kit, take a modern watercolor class and begin a successful painting career next week – I’m saying that creating a career out of something you’re genuinely passionate about is a very, very real possibility, and contrary to popular opinion you’re not doomed to a life of waiting tables while you try and make something out of those “doodles” you’re always working on.
Put in the effort to hone your skills and create a comprehensive marketing strategy to sell the application of those skills. That, is how you begin a successful career of doing what you love.
And for the future photographers of the world – here’s a little something I made just for you to get you on your way.
We’ve all heard of the “365 Project” for photographers. And while I attempt to do one every year (I’m in the middle of another one right now), let’s be honest for a second here – not everyone has the time to take and edit a photo every single day. So instead, I’ve created a 52 week project that’s a bit more realistic.
If you head on over to my Facebook page (Jenna Martin Photography) you’ll see an album titled “52 Week Photography Challenge”. I upload a single photo each week to introduce that week’s theme and then you leave your photo in the comment section! Don’t worry if you missed a particular week – just leave your photo in the comment section anyway! You all know I’m not a huge stickler for rules. ;).
So if you’re in the mood to up your creative game, head over to my Facebook page and see what you can come up with! I look forward to all the different interpretations every week!
This is one of those photos that happened all at once. I had made up my mind to shoot another photo this night, but as soon as I drove past the skatepark I completely changed gears (get it…nice). I decided I wanted to do something completely different. So I went home, changed, and headed back down to the local skatepark and hoped there were still people there.
There were. There were plenty of people there. The 90 degree day had slowly cooled off to the low 80’s, meaning it was just about perfect weather for a little time-killing.
Believe it or not, this was actually one of my easier photos to take. After I did the floating part, I just sat back and relaxed while I took plenty of photos of everyone else doing their tricks. Of course no shoot is complete without just a little bit of goofing around…
And then here are a few “extra” photos 🙂
Not a bad night if you ask me :).
In the end, this was the final photo. It was awesome getting to hang out with everyone, and thanks to all the people that let me photograph them doing awesome tricks!
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I’d actually been waiting for a cloudy day for this picture, but since the suitcases are on loan I decided last night was as good of circumstances as I was going to get, and in reality, I kind of like the way it turned out with the setting sun in the background.
I have to say, while some photographers plan their shoots to the millimeter, I tend to be more of a free spirit. I have a general idea of what I want the photo to look like in my head, but until I’m on location I never really set anything into motion. I guess you could say it all kind of comes to me in the moment. Sound cheesy? Probably, but I can’t quite think of a better way to explain it.
For this photo, I used suitcases as my prop. I set my camera up in the direction I wanted then began photographing myself until I got an image I was happy with. Fortunately (since I was quickly losing light) I hit a decent pose rather quickly, which meant the rest of the night was spent positioning my props the way I wanted them. Besides the obvious stares from cars passing by (no doubt wondering who the crazy lady dressed in white is and why she is standing on the side of the highway throwing suitcases into the air), the shoot went pretty quick. I snapped this photo right in the middle of the fiasco while taking a much needed break (it’s hard work throwing suitcases around!).
The editing, however, is not a fast process. It’s now 4:50 am and I’m just getting around to finishing up the blog post. Here’s a little peak of my morning as the editing goes along:
While I say I have about 8 or 9 layers going in the video, the final photo ended up as a composition of 32 layers, then a few extra for effect. It all came together for this final product:
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On my first outing with my underwater camera housing, I had no idea where to go. I knew the water had to be semi-clear, but I had no idea just how clear. Could there be a little murkiness? Would I maybe actually like the murkiness? How much was too much to where it would distort the image? I had no idea. So the first place I went was to Lake Elmo, a spot right here in Billings. Granted, it’s known as a giant mud puddle to locals, but I needed to start somewhere. I recruited my boyfriend’s mom, Eddy, to come hold the camera while I attempt to model underwater.
Turns out, Lake Elmo was not the best place to start. The water was so murky I couldn’t see anything more than 6 inches in front of my camera. One hour of work down, no results. Next location.
Spot #2 was the river. I figured with moving water, the fine muck and mud would be washed downstream and the water would be fairly clear. I was even curious to see what the motion would look like. But alas, it was still too murky. I could see a vague blur of color where the subject was, but there still wasn’t anything I could possibly edit. I’m still in search of a deeper part of the river where the dust and mud can settle, but for now I needed another option.
I’d already taken pictures at the pool, but everything had that blue tint. I thought it was just the background of the pool itself, so I brought a variety of backgrounds. As it turns out, the blue tint is because of the chlorine. It can taken out in post, but it’s definitely quite the process. I needed an unchlorinated spot.
Eddy explained that we could try her hottub. It was tiny, but it was unchlorinated. Sure we were going on 3 hours of wasted time and I was unsure of whether or not I could even get a photo in a tiny space, but we had to try. So I put a wide angle lens on my camera, submerged myself in barely 1′ of water and clicked away. And these were a few of the results :).
Feel free to click here if you’d like to learn a little more about how I made my underwater camera housing :).
In all reality, I shot this photo because I wanted an excuse to wear my new white dress :).
I got it for $12 at Goodwill and I’m pretty sure it was used as a wedding dress at some point. Thing is though, it’s HUGE on me, so unless I cinch it with a belt and wear a few inches of footwear, it’s barely manageable to walk in. All that extra fabric really helps when it comes to taking a floating photograph though.
The funny thing is, this photo is nothing like how I imagined it would be. I actually arrived at the idea that I wanted to be floating away on an umbrella, very Mary Poppins-ish. Through editing though, I decided the umbrella was really just getting in the way. I didn’t want to appear that I was using the umbrella as a crutch, I wanted to be floating on my own. So hence, the umbrella got cut.
This was also done in a field close to my house and since it was taken around 5:00 am, I didn’t have to worry about getting in trouble for trespassing…which, um…I totally wasn’t.
When I first started really getting into photography, the thought of underwater photos intrigued me. “How amazing it would be to capture images underwater,” I thought to myself. So I started researching exactly how one might go about putting their camera underwater, because lets be honest, this setup surely wasn’t going to do the trick (and yes, that’s one of my many beautiful cats lounging on my countertop).
But upon typing in my search inquiry, my heart sank. It looked as though there were two options: 1.) A camera bag and 2.) A housing facility. The camera bag, priced at the low end of the spectrum (roughly $100-$150), seemed to better fit my budget, but after reading the horrible reviews every bag received (“Hugely susceptible to human error”, “Leaked the first time I tried it in my bathtub”, “Leaks if placed lower than 1′ of water”, “Leaks because it’s Tuesday” ) I decided against it. I needed something substantial that put one of my most valuable possessions in as little of harm’s way as possible.
So next I took a look at housings.
For a 5D Mark II, underwater housing starts at roughly $1500 and goes up from there. $1500? I was nowhere near being able to afford $1500! I slammed my computer shut and thought to myself, “It’s okay. I just need to save up some money before I can start taking underwater photos. I can live with that.”
Except I couldn’t live with that. The thought burrowed into the back of my brain and wouldn’t leave. “Does this mean only people with $1500 lying around should be able to take underwater photos?” The more I was told I couldn’t take the pictures without proper equipment, the more I became obsessed with it. “There just had to be a way…”
And that way, I decided, was to make my own housing. I figured I could devise a structure that would allow me to put my camera inside, and I could use an automatic shutter release to take the photos from the outside. As long as all my settings were adjusted before I put the camera underwater…it was possible. So I recruited the help of my boyfriend’s step-dad, Scott, and we started to build.
The first prototype was part of an insulated cooler. I needed to have a removable lid so I could take my camera in and out. I figured we’d cut the bottom out, replace it with Plexiglas and seal any spots where water could get in. Seemed simple enough, right?
Not even close. As soon as I reached a depth over 3′ deep the Plexiglas popped off the bottom like a dandelion head. Apparently I had completely underestimated the amount of water pressure I’d be dealing with here…
Some adjustments had to be made. Instead of sealing the Plexiglas on the inside of the container, we sealed it on the outside. By pushing the small disc against the contraption to which it was already attached, the water pressure was working with me instead of against me. There were still some issues with the lid leaking (as per the water-soaked dive weights inside), so I thought an extra dose of duct tape might do the trick for now.
How wrong could I be. The bottom seemed solid, but water was still rushing in from the top. Since I couldn’t find an O-ring large enough to fit inside, I tried everything else: thread tape, weather stripping, plenty of silicone and countless other options. Sealing from the inside certainly wasn’t going to do the trick.
So we opted for an outside option instead. We tried a variety of rubber options with a combination of pipe clamps. We even tried an old bike tire, but it turned out that it wasn’t even remotely waterproof (who would’ve thought?).
Plus, water was slowly leaking in through the Plexiglas window. Somehow, it was coming in through the lid, seeping down through the insulation and coming back out through the bottom. I needed to start from scratch.
Instead of starting with something already built, I decided to design something myself. When I met with Scott that night, he showed me some of the designs he had drawn up and they ended up being almost identical to what I was thinking in my head. Since my camera measured a little more than 6″ across, I knew that would be my rough estimate of a sizing option.
The available pipe options I had locally went from 6″ to 8.5″. We took a chunk of 8.5″ pipe, a chunk of coupling and sanded some Plexiglass to barely fit into the rim of the coupling. We sealed it, placed the pipe on top, sealed it with AVS glue and used a rubber pipe cap and pipe clamp as the lid. This had to work. It was just too pretty not to!
Off to the pool I went (thanks to the Comfort Inn for constantly letting me use their pool over the last few months!) hoping this would be the one.
And the result?
It worked! It worked, it worked, IT WORKED! Thanks Scott for all your help, and be sure to click here if you want to see my first round of underwater photos :)!
Now to make a list of all the things I can put underwater…