As many of you know, I’m a resolution fiend. I love New Year resolutions. I love making them, I love writing them down and I love re-evaluating them every few months to see if I’m on track. I make huge lists every year and then break down each resolution into smaller goals. What do I need to do each month? Each week? Every day? There’s something incredibly comforting to me about the entire process. It’s like watching the impossible slowly become possible. It’s exhilarating.
Of course if you’re not quite as resolution crazy as I am, no worries – here are my top 10 photographer resolutions for 2017.
If you’ve been following me on Instagram at all, you’ve probably seen a pattern in my most recent posts. The last few years, my husband and I have slowly been decluttering everything in our lives, from our closets to our pantry to our furniture. We no longer buy things brand new just because something old breaks. Now we question every purchase: is this going to add value to our lives or just take up space in our home?
The result has been amazing: less stress, more time, less worry, more money. I’ll tell you all about that journey later. Problem is, decluttering is a bit easier said than done when it comes to your photography gear.
I’ve come to believe that old, unused lenses are the equivalent to the “fat pants” that sit in the back of your closet. You don’t use them, you aren’t going to use them anytime soon, but you still keep them, collecting dust, “just in case”.
All of us have gear like this. I’ve got an old Rokinon 8mm lens in the bottom of my storage chest, along with a couple flashes, gels, some old photo books and who knows how many timers, remote shutter clickers, filters and random novelty photo toys I “thought” I would need but have hardly ever used once.
You don’t need this stuff. I don’t need this stuff. Sell it. Donate it. Do something with it. It’s not serving you any purpose besides taking up space.
And while we’re on the same subject…
2. Evaluate Your Gear Needs
The photography world loves to tempt you with new gear. Lighter, faster, more megapixels. Sleeker finish, new colors, silent shutter. Countless blogs will inundate you with comparisons between the Sigma 85mm f/1.4 and the Canon 85mm f/1.2. If you want an 85mm, buy an 85mm, but if you already own the Sigma f/1.4 for the love of God don’t stay up all night reading the comparisons between the two and stressing out over whether or not you should sell your Sigma and splurge for the Canon. Whatever you have is fine.
Sometimes we need new gear, and sometimes we just want new gear. We want the promise of what we think it will bring: better photographs, more clients, more money. New gear does not guarantee any of these things.
Better yet, get the gear you need, and invest your money in education. Take an online business marketing class, or attend a conference or workshop. Money spent on education (provided it’s from a legit source) is rarely wasted.
3. Rethink Your Social Media Game
In previous resolution posts, you’ve read my advice of embracing social media. I’ve told you to explore new platforms you haven’t used yet to see if they could help with your business. And while I still stand by that advice, this year I’m personally planning on moving in a slightly different direction.
Social media can be a dangerous animal, and while we as photographers absolutely need it to market our business and round out our online presence, it can be easy to get lost in the world that isn’t real.
You don’t have to be everywhere. You don’t have to post every day. It’s better to have a cohesive, beautiful Instagram timeline where you only post twice a week than it is to have a disorganized, disjointed feed because you’re desperately trying to keep up with last year’s 3x a day posting goals.
This year, focus more on taking beautiful photographs, posting when you can and living your damn life. Social media is just one of many marketing tools. Don’t get lost in it.
4. Take More Photos of Yourself
I was genuinely proud of how many photos I took of my family this year. Everywhere we went I took a few photos or a short video. At the end of the year I was so excited to go through everything until I quickly noticed one very depressing trend – I was missing in nearly everything. I have countless memories stored of my husband throwing our daughter in the air, teaching her to walk, chasing her around the house; and if I’m lucky it’s a video where you can at least hear my voice. Otherwise, it’s like I was never there.
This year, commit to not only taking more photos of your friends and family, but also to being in these photos. If that means I have to forcefully shove my camera into my husband’s hands and demand he keep clicking until he gets something in focus than so be it. 2017 is not the year to disappear behind then camera.
5. Have a Travel Camera
I spend a large part of my time outside and I hate lugging around my giant DSLR. It’s not easy to carry and it’s expensive – which means I’m stressed the entire time I have it with me. If you don’t have a problem with carrying it around than by all means go for it – but no way I’m hanging out at our local blues festival with my pain in the ass Mark III hanging around my neck. I want to dance and drink and air guitar make questionable decisions just as much as anyone else.
In that case, have a smaller, travel camera. Something small enough to fit in your pocket. Anymore, your phone might be a reasonable alternative, though personally even my new phone takes a second to focus and doesn’t work worth shit in low lighting. There are some amazingly small, lightweight and inexpensive point & shoots available now. Consider picking one of these up and make your life a little easier this year.
6. Organize your inspiration
If you’re anything like me, you spend a fair amount of time on Pinterest pinning to your various boards – and then you never look at them ever again. I have no idea why I do this. I have countless recipes pinned on my cookie board, then when it’s time to bake cookies what do I do? I search for a new cookie recipe. I could just look at the damn board. That’s what it’s there for.
I do the same with photography inspiration. Pin and pin and collect and pin. Then I never look back at it. The act of pinning to your board (or collecting magazine pages, or saving websites, or whatever it is you do) is not the final step. It’s just the beginning. This year, take some time really going through all of that inspiration you’ve been collecting and let it lead somewhere useful and productive…something like Resolution #7, for example.
7. Work on a long term project
No matter how busy you are, we all need a long term project to light that fire inside of us. Something that excites you every time you work on it. Sit down and take a close look at your newly organized inspiration we just talked about and see what strikes you.
Then, just take it step by step. No matter how large a project you’re interested in doing, just break it down and begin working on one piece at a time. If you want to make a photo book, break it down by chapter and content. What photos do you want in the book? How do you go about setting up those individual photoshoots? How can you get the maximum exposure for this book when it’s released (can these photos be shown as a gallery show to coincide with the book release)? Who can you team up with the help this process run as smoothly as possible?
If you’re looking for suggestions for the new year, consider reading my recent post on using photography for good, Philanthropy Through Photography, or consider joining our 2017: 52 Week Photography & Business Challenge.
8. Avoid the Snooze Button
We all have a photography snooze button. We know the most beautiful light is 5:30 am but we just don’t want to get up that early. The snow outside looks so beautiful to shoot in but it’s just sooooo cold and there’s coffee inside. We could put together the most amazing shoot but we have to get the wardrobe together and schedule a time with the studio and we’ll just do it later after we edit these client photos.
Stop putting off your creative shoots. Get up early, make the call to the studio, do what you need to do to get this shoots done and in the books. These are the shoots that feed your soul and keep you from burning out. You need them!
9. Narrow down what you’re truly passionate about
If you’ve been shooting non-stop all year, it can be easy to get wrapped up in the hustle. We begin taking jobs because they pay, and before you know it you’re shooting anything anyone will pay you for. This may seem exciting at first, but you’ll usually end up worn, ragged and confused by the end of the year.
As you become a better photographer, you’ve got start narrowing down what you’re actually passionate about, whether that’s weddings, families, landscapes, concerts, fashion or something else. That doesn’t mean you have to cut out all paying jobs, but it does mean you can start adjusting your marketing strategy to hit more of your target audience.
10. Print your photos
Every year I make this resolution, and every year I do make a little progress, but it still deserves a spot on the list. Print. Your. Photos. Hang them up in your house, send them to grandparents, put them in your wallet. Our process is never truly complete until you’re holding that photograph in your hand. Print your photos. I can’t stress it enough.
If you were to ask me about a specific time in my life when photography made a significant impact it would’ve been fall of 2011. For my birthday, my husband surprised me by taking me out for lunch at a tiny burger dive, and then stopping in at the local art museum. He’s not exactly an “art-lover” per say, so I was a little confused by the move – until he explained what they were showing.
There was an exhibit with every Pulitzer Prize-winning photograph since they started handing out in the prize in 1942. Each photo was blown up huge on the wall, with a long description from the photographer hanging next to it. I remember he told me not to plan anything for that evening, and instantly I knew why: I was going to read every, single, one of these descriptions.
Photos of war, of celebration, struggle, heartache, starvation, triumph. I couldn’t take my eyes away. These photos were beautiful, powerful, and gut-wrenching. Particularly the “vulture photo” by Kevin Carter (Google it, because there is no way I’m posting it here). The description next to the photograph was written by a good friend of Kevin’s, since he had committed suicide just 3 months after shooting it. That picture will haunt me for the rest of my life.
These Pulitzer Prize-winning photographs, they made you feel something, made your heart ache and tears well up in your eyes. They aren’t meant to be seen in passing, commented on and then never referenced again. They stick with you, forever.
That’s the kind of photographer I wanted to be, then and there. I wanted the camera in my hand to make a difference. A real difference, to someone, somewhere.
That difference doesn’t have to mean shooting from a helicopter in a war-zone, it just means using your camera to make something near you just a little bit better. If you’re interested in using your camera for a little more this year, here are a few ways to get started.
Baby steps are still steps. A great place to look to make a difference is in your own community.
- Volunteer at your a local charity to photograph a charity event. They can use these photos for their newsletter or to post on social media, and hopefully gain more people for next year’s event.
- Hit up your local animal shelter. It’s been proven time and time again professional photos help animals get adopted faster. A picture of a scared dog, in the back of a dark kennel, with red eyes surely doesn’t do him any favors. Bring him out in the sunlight and snap a few photos of him playing fetch. The faster the shelter moves animals out, the more they can bring in.
- Dole at free family photos at your local homeless shelter. Many families go their entire lives without decent family photos. Help Portrait has a great program for getting started in this area.
Work With an Established Organization
There are some amazing organizations out there doing unbelievable things. Of course there are a few organization pretending to be charities and really just taking in money, but let’s just skip over those hell-holes and focus on the good ones. PhotoPhilanthropy is a great place to point you in the right direction. There you’ll find photographer resources for working with non-profits as well as tips to get your own photo essays and projects off the ground. A few other amazing photography related organizations:
- Photographers Without Borders is another fantastic program, that allows you to sell your photos with the money going straight educational purposes of the country the photo was taken in.
- Operation Love Reunited is an organization that gives military families free family photo sessions before a family member is deployed. Get involved by filling out an application here.
- Now I Lay Me Down To Sleep is an organization that offers free remembrance photography for parents that have lost their newborn babies. These are often the only photos parents have to remember infants who have passed.
- Flashes of Hope offers free portrait service to children with cancer, giving them ownership of their new identities.
- 100 Cameras works to give cameras to kids in marginalized communities to help them tell their stories (that’s the extremely condensed version of course, they do much more than that).
These are just a few on a very long list of amazing organizations. If there’s another cause close to your heart, seek out a non-profit for that cause and email them! Very few organizations will turn away free photos, especially good ones that really help their cause.
Create Your Own Project
Just like Photographers Without Borders, you can also sell your own photos and decide exactly where the money goes. You can also complete your own photo essay, bringing awareness to a topic or cause you are passionate about.
You can work with a gallery or local business to print and hang photos in an exhibition. Use social media and shared networking (both of you combine email lists) to spread the word. See what other companies would like to get involved. You might be able to get the catering for a show donated, or part of the publishing costs covered for small book. Many companies are open to the idea of donating goods or services if project proceeds are going to a deserving cause.
Give a Free Class
Photography allows people to tell stories that would otherwise remain silent. You don’t have to teach your entire craft – just an introductory class at a high school or community center. Have a free class at your studio where you show kids how to use an old hand-me-down camera they bought at a yard sale. This may not seem like much to you, but you’re giving someone the ability to express themselves and create something entirely their own, which can be a drastic turning point to their lives.
Donate the Proceeds
Often the easiest and fastest way to get involved is to sell some of your current photos as prints and donate the proceeds. Even just simple landscape shots can go for something.
Another option is to use your skills and current market to donate a day’s worth of client proceeds. If you’re a wedding photographer, maybe the cost of one wedding per year is donated to a cause near to your heart. As a family photographer, you could have one day a year where the fees from any session scheduled on that day goes straight to charity.
Just Do What You Can
It’s all up to you to decide what you’re doing with your time. If you aren’t in a situation to donate an entire weddings’ worth of fees, than by all means, don’t do that, but if you can afford to take one day a month and shoot a few photos for the local humane society, than do it. Every little bit counts.
The bottom line is we tend to take our cameras for granted more than we realize. After years in this business, we can forget how powerful of a tool it is. Even if you don’t think a few photos will make a difference, chances are, they probably will.
This last winter was pretty rough.
I won’t get into details, but like so many others I found myself craving the feeling of warm sunshine like never before. I was wearing shorts in February folks, simply as an open boycott of winter. I was done. I needed to be surrounded by cheerfulness and green, so when Kim & Eddy’s, a local boutique downtown asked me to put something together for their May 1st Grand Opening, I thought these double exposures would be a perfect fit. Flowers for all!
Hope you’re all having a wondering spring, and here’s to a happy summer as well!! 🙂
I love New Year’s.
Halloween, Christmas and National Cat Day (obviously) are high on my list too, but New Year’s holds a special weight for me. It’s the resolutions that I’m so addicted to.
I love making them. I love hearing them. I write them down and put them in tables and graphs and color-coordinated folders and oh my god resolution party at my house tonight, don’t be late. The idea of a clean slate, filled in with good intentions and exciting possibilities just makes me bubble with anticipation. Yes, I realize I sound like a delirious 12-year old, but my entire personality is a bit like a delirious 12-year old…plus the New Year is here and I’m all sorts of giddy!
Now, my own personal resolution list is broken into categories and then subcategories with smaller, realistic goals in each step (like I said, I love making resolutions), but when it comes to photography, these are the New Year’s resolutions that I credit for the largest leaps in my photo development over the years.
Stop Hiding Behind Self Doubt
I’ve been there. I know how terrifying it is to submit to your first publication or to contact your first client. How scary it is to post a photo because in social media terms, zero positive comments can feel just as shitty as the possibility of one bad comment. Putting your work out there, putting yourself out there, especially in a field that is bombarded by a never-ending stream of insanely skilled and talented people, is terrifying.
But no one gets anywhere by playing it safe. You will never be completely confident trying something for the first time. That fear will always be there, and believe it or not that’s a good thing – it means you’re in a new realm outside your comfort zone. Acknowledge it, calm down, and take another tiny baby-step forward.
One way to start those baby-steps, is to do things as a practice run, then count to three and push the button. If you want to submit something to a magazine, for example, write out the email, include all the images and everything, telling yourself the entire time that it’s just for practice. Then at the end count to three and push send. Who cares if there’s a typo. Who cares if they never write back. This is just to get you used to the process and actually pushing “send” at the end.
Just remember, you get nowhere if you don’t try and as scary as it is, it gets easier every time.
Organize your shit. Assemble your gear so you know exactly what you have and where to find it. Classify your photos on separate hard drives in folders by dates and tag-words. Set up an interactive calendar and update it constantly. Classify email contacts as they come in. Ever heard of 17Hats.com? or PhotoFern.com? They’re amazing. Sign up and start using them.
Seek Useful Critique and Shut Your Mouth in Response
As I wrote here, in Dear New Photographer…, my fiance and my mom love me to the moon and back, but they’re horrible people to give me feedback on my photography. They’re waaaaaay too biased and they don’t know the first thing about what makes a good image. I’m guessing, your rock solid support system is the same way, so this year ask a real pro – not a Facebook “pro”, but someone established and reputable within your specific area of photography – to review your work and give you feedback.
And when they give you feedback, shut your mouth. Don’t argue, don’t try to defend yourself and don’t shut down. Really listen to what they are trying to say. You don’t have to use it, but if you’re asking for advice, don’t fight them on every little bit they try and give. Helpful feedback isn’t usually easy to hear, but it’s how you develop and move forward. Suck it up, take it like a champ and get better. This year.
Don’t Let Your Gear Impede Your Development
We all want bigger and better gear. The quality of photography gear out in the world today is astounding, and it’s improving so fast you’ll barely catch a glimpse of the latest and greatest before it’s overshadowed by something even better. Even as I’m writing this article I’ve got an Ebay tab open just to stare at things up for auction…stuff I drool over but can never realistically afford…maybe just pet through my computer screen. It’s so pretty…
But the gear does not make the photographer. When someone says, “I could take photos like too that if I had your fancy camera,” hand them your camera. Go ahead. They usually snap one or two photos (if that), panic and hand it back. It’s not about the gear itself, it’s knowing how to use it to create the vision you see in your head.
And the fact is, amazing images can be created with very basic gear. Yes, there are certain things that are essential to certain fields (a pro sport photographer is going to have a very hard time getting competitive shots of a Braves game with just a 50mm lens), but I’m talking about the bigger picture. Let this be the year you blame your gear no more: examine all possible options for improvement before asking yourself if it’s your lack of megapixels that’s holding you back.
And speaking of gear…
Come to Terms With Photoshop
Stop hating on Photoshop. It’s just another tool to add to your belt for Christ’s sake.
There has been push-back at every stage of photography. When digital first came out, diehard film addicts declared it the “death of photography” and that it “doesn’t count” if you aren’t shooting on film. Even when the first zoom lens was introduced, people complained that zooming any way besides moving your feet was lazy (that last one is hearsay of course, it’s not like I was alive when the first zoom lens came out). In any case, you get my point.
Photoshop is not the death of photography. It’s just another tool that allows you to create the image you’re going for. Keep an open mind and learn to use it in a way that best suits your photography goals.
Shoot Personal Projects
“All work and no play makes Jack a dull boy…”
People get into photography for the fun of it, but the less you shoot for fun and the more you shoot for work the faster you can get burned out. Personal projects allow you to get back to your creative side and embrace photography for the reasons you originally started. Seek out that which you love and shoot it; once a week if you can, once a month at the bare minimum. Put together a creative fashion shoot or try out some crazy technique you saw on YouTube at 3:00 in the morning. Follow some of your favorite photographers and get inspired! Personal projects are the best way to move forward with your skills while reminding yourself why you started in the first place.
Get Along With Other Photographers
For the love of God let this be the year you stop avoiding other photographers. Not only are they great networking (one wedding photographer can’t shoot all the weddings in a season, they have to be referring to someone), but they’re also just awesome people! You will learn a ton and develop an amazing sense of community. Yes, some of them can be dicks but every town is bound to have at least a couple sour grapes. Avoid the assholes and you’ll be fine. The vast majority of photographers in your area are probably some of the most awesome people you could ever hope to meet.
If you’re a beginner, don’t be intimidated by pros. Reach out to them and start a dialogue. If you’re a pro, welcome the newbies. They just want the same thing you do. Slamming them for low prices isn’t doing anyone any good; they don’t know any better and they would very much like to get out of the low price nightmare, so help them out.
Take More Photos of Your Loved Ones
As photographers, a strange thing happens when we look at the end of our year in photos. Typically, we have plenty of new images in our portfolio of brides and seniors and parents with their smiling children, but we don’t have a ton of our own lives. The vast majority of photos I took of my fiance last year were iPhone photos. And they definitely weren’t very good ones. How awful is that?
So this year, turn the camera around. Take just one day, set it up on a tripod, set the 2-second timer and set the shutter to just keep clicking. Sit in front of it with your kids or your dog or spouse or whoever and just let it run. Do this and everyone will be thanking you for it for years to come. Which actually brings me to Resolution #9…
Print More Photos
How long have you owned a picture frame containing the photo it came with?! Are you kidding me? You’re a freakin’ photographer for crying out loud!!
I yell because I care…and also because I’m really yelling at myself. I continue to make this exact same mistake year after year after year. I have so many unused frames right now it’s downright shameful. I’m so embarrassed.
Stop looking at your photos on a computer screen and print the damn things already. Blow them up and plaster them all over your walls. Print out little sizes for Grandma and Grandpa to keep in their wallets. Print out a whole truckload of 4 x 6’s and 5 x 7’s and mail them to your friends and relatives. Print. Your. Photos.
Use Your Photography For Better
Photography is an amazing thing. There’s a reason people run back into a burning building for the family photo album; because photos are a part of our identity. As a photographer you have the ability to create an image that someone will cherish until the end of time. What an amazing power!
So this year, use that power for something more than paid family sessions or artistic creations. Donate your time and skills to a local charity (I shoot for the Rimrock Humane Society and Help Portrait). Run your own fundraiser for a good cause or use your photography to tell someone’s story that desperately needs to be heard. The ability to take a great photograph is more powerful than you know – embrace it and use the crap out of it.
Did I leave any off that deserve to be in the top 10? Let me know!
I love December. I love Christmas, I love all the sparkly lights and gingerbread everything, not to mention the fact that snow makes for fantastic photos. But besides all of that, I also love that it comes right before clean-slate January.
I’ll be honest; I make a lot of mistakes during the year. I’m either completely missing that little voice in the back of my head that warns me not to do something, or it’s completely drowned out by the other voice screaming at me that it’ll make for an epic story later. Either way, it’s not exactly a fool proof way of going through life, so by the time December rolls around, the mistakes have added up, and I’m very, very ready to see just how many of them were worth it.
That’s where these people come in. See I’m not necessarily interested in assessing measurable forms of progress at this time – that’s for later. This is about evaluating whether or not I’m anywhere closer to the kind of artist and person I want to be. Call me crazy, but after 7 years of college and 3 degrees that I don’t use but definitely pay student loans on, I’m no longer interested in just drifting along and hoping “things will work out.” No – if something isn’t working, it’s up to me to do something about it.
So at the end of the year I turn to my biggest inspirations in photography and business, and ask myself these questions:
– What qualities do they possess that I find so rousing, and am I any closer to possessing those qualities myself?
– What do I need to do to further become what I find so inspirational in others?
– Where have I strayed from the artist I want to be and how can I do better in 2015?
And to answer these questions, I give you my top 5 inspirations in photography and business, and exactly what I’m hoping to take away from each of them.
My background is in psychology, which might give some insight as to why I love Kubrick’s work so much. To him, everything is important. In The Shining, there are several long camera shots of Tommy riding his trike throughout the hotel, alternating between carpet and hardwood. The sound he makes on the carpet is barely audible, while the sound of the hardwood is enormous and uncomfortably loud. That rhythm: peaceful, near silence broken by harsh, jarring uneasiness is an actual torture tactic used to break people. How brilliant then, to include it in the early scenes of a horror movie.
In addition to his painful attention to detail, his work ethic was unparalleled. He used to shoot the same scene hundreds of times, until the actors were completely exhausted and even delirious. That scene where Jack Nicholson breaks down the door with the ax and yells, “Heeeeeere’s Johnny!” was a complete improvisation. If you watch the behind-the-scenes footage, just before the last take he was waving the ax around the room like a madman, laughing and dancing and making everyone pretty damn nervous. After 100 takes, that was the mental stage he was in, and it worked.
Kubrick actually holds the Guinness record for most takes in a dialogue scene in a movie (also for The Shining), and he was working on film! That kind of work ethic is pretty tough to find anymore. Where others may have shrugged after 40 takes and thought to themselves, “We’ll just make one of these work”, he didn’t. If something wasn’t working he stuck with it until it did. He was obsessive, detailed, persistent and never settled for anything less than his original vision – a perfect artist philosophy if there ever was one.
Alton Brown is a chef and author on Food Network. He originally had a show called Good Eats but you probably know him more as the host of Iron Chef America.
Admittedly, I love Food Network, for some right reasons and some wrong reasons. I love to cook, and I really do attempt the recipes I see on Giada’s show, though I’m saving Ina’s recipes for a time when I’ve got some extra cash to burn and am comfortable enough in my cooking skills not to royally screw up any ingredients I’m paying top dollar for. On the other hand though, Food Network is also my guilty pleasure. I don’t watch reality shows and I don’t watch dramatic soap operas, but when I’m in a horribly bad mood I watch the crap out of Food Network while texting my mom memes of the various “stars”.
But Alton Brown is an entirely different person altogether. On his show Good Eats, puppets explain the discovery of saffron while he builds homemade cooking contraptions that require the use of goggles “just in case” something goes wrong. It’s like taking a cooking class from Bill Nye the Science Guy. With puppets. And a shitload of valuable information.
What makes him so inspiring though, is he doesn’t just show how to put a recipe together, he shows why that recipe exists in the first place. I don’t know how many times I’ll be watching someone cook something and think to myself, “Screw that, I’ll just stick it in the microwave and then I won’t have to wait 3 hours.” During Alton’s show he explains the chemistry of why you definitely do not want to put this in the microwave – and that’s what makes a great educator. It’s not about giving you a quick fix, it’s about giving you a solid foundation to build upon so you can move forward on your own. The more you understand how something works, the more confident you are in experimenting with it.
So many “educators” are actually very stingy with the information they hold, and I hate that. They want you learn, but not too much – that would be threatening somehow. Alton Brown doesn’t care about any of that; he genuinely wants people to get as much information out of his show as they possibly can. That is a true educator: someone that is entirely unselfish about sharing their knowledge in the most effective way possible.
I hope I can live up to that standard; of being so utterly passionate about my field that I can’t wait to share the information I collect over the years. And I hope I get to meet Alton Brown someday. He makes homemade cooking equipment and I make homemade photography equipment. Maybe we could work together to build a camera that also cooks you up a grilled cheese sandwich. Don’t you want something like that? Of course you do. Make the meeting happen and it could be a reality.
Anthony Bourdain & Hunter S. Thompson
A few weeks ago I received an email that told me I have the same, “snarky, cynical writing style as useless ex-cokehead Anthony Bourdain, and the same rambling incoherence as Hunter S. Thompson.” I was thrilled. When my fiance got home I read him the good news and he congratulated me. Relating me to either Anthony Bourdain or Hunter S. Thompson is a joke of a comparison; they’re both actual, published writers and I’m a photographer that occasionally pens a rant-style blog post at 3:00 in the morning, but who cares?! As far as step one goes, it was a very good day in the Martin household.
Anthony Bourdain is another chef, author, and traveler of virtually everywhere. You might know him as the host of CNN’s Parts Unknown or the Travel Channel’s Anthony Bourdain: No Reservations. I idolize him because he’s curious, has an in-depth knowledge of food, an open disgust for convention and corruption along with a deep respect for other cultures. Hunter S. Thompson is another brilliant writer, most famous in my generation for writing the book the movie Fear and Loathing in Las Vegas was based on. He did a lot of other noteworthy things (some good, some very bad), but if his name sounds only vaguely familiar to you, there’s a good chance that’s where you know it from.
More importantly to me though, both of these men have been brutally authentic and have made no attempts to hide the parts of their past that others may have found “unsavory”. Instead of censoring themselves or creating some fabricated public persona, they’ve lived their lives essentially the same way they would’ve had they not been famous.
All of which make them two of the most “real” individuals on the short list of people I have never met but still look up to.
See, by traditional standards, I’m not a very perfect person. I’ve been fired from a number of jobs for what we’ll call a “lack of verbal filtration”, I believe any personal conflict can be solved with fire and besides the last 6 years (when my fiance realized he was dating a klepto and gave me an ultimatum), I didn’t really pay for much of anything. Once you’ve become fairly skilled at stealing shit, it’s pretty tough to make a conscious decision not to. But I can proudly say I’m about 6 years sober – besides a small relapse a couple years ago when I did some damage on a bottle of tequila and unsuccessfully tried to steal a cop car…while dancing…
But all those little imperfections and mistakes are also what attracts me to others. It’s how I relate to people. The fact is, if you’ve got a squeaky clean background…I don’t trust you. I’m not very interested in meeting, or learning from, an overly happy, lab-engineered, fake-as-shit personality meant to sell me some fantastical, non-existent concept of reality. How can you trust someone who is always, cheerful? Who describes every, single life experience as breathtakingly awesome? You can’t, because you know at some point or another, that person is lying. There is no way I can rely on one’s sincerity to convey life’s most truly stunning moments if they use the exact same vocabulary for life’s shittiest moments. It just doesn’t add up.
(Of course, no one says it better than Louis C.K. Push play. Trust me.)
That’s what I find so inspiring: they support my theory that censorship is boring, that value can still be found in a genuine voice with a candid message and that sugarcoating is completely overrated. When Anthony speaks highly of a specific restaurant, I know I can trust him, because if it were an absolutely shithole that should be avoided at all costs, I know he would tell me it’s an absolute shithole that should be avoided at all costs.
I like that my writing reflects almost perfectly the tone in which I speak: blunt, slightly sarcastic, fairly grammatically incorrect, inappropriate at times and usually dotted with some (if I may say so myself) exceptionally placed profanity. These two give me the green light to embrace that style; to write exactly what I feel needs to be written, minus the flowery language that would make it more digestible to the more delicate-minded masses. They inspire me to be honest and authentic to those that matter, and unapologetic to those that don’t.
As a sidenote, I really do hope I get to meet Anthony Bourdain in real life someday. Typically, on an occasion such as this, I’d crack some awkward, sexually explicit joke that no one gets, laugh at myself for too long and then look up only to wonder where the hell everyone went. I have a feeling he’d appreciate an awkward, sexually explicit joke though, so in the hypothetical world I’ve created (and frequently visit), Anthony Bourdain will think I’m hilarious and we’ll spend the day bullshitting while getting plowed on Montana brewed beer.
Without going into too much detail, let’s just say my childhood wasn’t really all that great. If we’re going by statistics, the probability of me becoming a heroin-addicted stripper was undoubtedly much, much higher than the probability of me gaining an income through legal means, dating a nice respectable young man and driving a car that doesn’t double as a getaway vehicle on the weekends. But hey, somehow I ended up on the happy and productive side of society, so I’ll take it.
But, as many of you probably know, those demons don’t just go away, and my personal theory is you can either get very, very good at hiding them (for the short period of time before you spontaneously combust), or you can embrace them and put them to good use. My mom is a perfect example of putting them to good use. She turns that craziness into straight focus. When I was in high school she wanted an ice cream truck, but she couldn’t find one, so she bought the pieces and built it (we run it every year here in Billings, it’s called Mr. Pugley’s Ice Cream). When she wants something she goes out and gets it, and when something is in her way, she either finds a way around it or she quite literally goes out, buys a torch and welds her way straight through it.
Honestly. I’ve seen it done. Welded the doors clean off.
She doesn’t see her past as a crutch, she sees it as a badge of honor. From what she’s been through, there is no possible way of breaking her now, and she knows it. She’s afraid of no one, she’s intimidated by no one and she wastes no time dealing with people that don’t have her best interests in mind. When there’s a problem, she fixes it. She’s basically Winston Wolfe from Pulp Fiction if he had been an Italian/Basque woman with a flair for cooking and a much better sense of humor.
Those two life perspectives of living through a horrible situation and using it to better yourself, as well as openly accepting whatever demons might be there is what I find so inspiring. Over the past few years I’ve learned to take a bad situation, pull a few lessons out of it and apply them. Once you’ve been through some real scary shit, the idea of being afraid to submit a photoshoot to a magazine is a joke. There are much more frightening things in the world. I know because I’ve lived through them. Push the button, send the email, move on with your life.
I’m proud that I am becoming more and more like my mother every day. Last year, my future mother-in-law and I were talking about how your childhood can shape who you are, and she asked if there were any parts of my dad that stuck with me. I said no (probably not entirely true, but I like to think so anyway), and she said, “But you’re not afraid of anything! And you’re…kind of crazy…” I thought for a second, then smiled and said, “Nope. That’s still all Mom.” 🙂
I am, hands down, my mother’s daughter, and if I grow more and more like her every year, I’ll count that as a win in my book.
Decide For Yourself…
Now that you know my main inspirations, and what I hope to gain from them, I want to hear from you! Who are your inspirations? Who do you look up to and why? What characteristics do your greatest inspirations possess? We all have someone we have in the back of our mind that does something right, so who is yours? Take a second and let me know in the comments who your greatest inspirations are and why you choose to follow them. I want to know! 🙂
One of the great things about shooting weddings along with fine art, is you get to meet a lot of incredibly creative people, including florists. When Katie from Mac’s Floral asked if I wanted to work with her to create a dark and ominous ballet inspired shoot for Halloween, of course I said yes! We called up a few models and our awesome makeup artist, Sydney, put together the outfits and bouquets and scheduled a time at Billings Open Studio. Anna and Jessica (from the Billings Terpsichore Dance Company) did an amazing job. They did everything I asked, all while tangled in a ridiculous amount of fabric…in pointe shoes.
In the end, this was the final result. This shoot was so much fun and I cannot wait to work with these amazing girls again!!
On one of the chilliest days in February, two awesome friends and I set out to have a little fun out in the middle of nowhere. We spent the entire day swapping between trekking through abandoned buildings and desperately trying to warm up inside the truck. While Tony (with Big News Photography) and I were having a hard time even feeling our cameras, Kate was dancing around in little more than a cotton sundress. So it’s pretty safe to say she’s a badass.
Even though this was easily one helluva challenging day, it was also a pretty damn awesome one.
Sometimes it’s worth it just to go and shoot without having any plans beforehand :).
Probably shouldn’t have done that…
From time to time I like to browse some of my favorite photographers’ work to see what they’ve been up to. It gives me inspiration, new ideas, and also lights that competitive fire under my ass.
But sometimes it has the opposite effect. Sometimes I see something so unbelievably good that I sink into a deep chasm of self-doubt and frustration.
Today was one of those days.
Now when it comes to underwater photography, I am obsessed. So obsessed in fact, that when I learned the cost of underwater camera housing apparatuses ($2,000?! What?!), I built my own. Hell I’ve been obsessed with water itself for as long as I can remember. I think it’s the weightlessness of it mixed with just a touch of danger. Swimming to me feels like flying – if the air could kill you at any moment.
Even in my above ground portfolio, you really don’t even have to look very hard to see watery influences. In almost every photo, there are people and objects floating around, and water is consistently a central theme. I’m either standing in it, sitting on a car in it, put someone else under it or have it coming out of an umbrella (multiple times). It’s actually pretty funny to look back and see that unintentionally, I’ve always had water somewhere in my photos.
So one of the photographers I casually stalk (read: intensely dream about working with someday) is Zena Holloway. Her work is stunning. Like, crazy good. It’s so gorgeous that it actually pisses me off on a certain level and if I ever meet her I already know she’s going to hate me because I will either completely freeze up and say something creepy and inappropriate (my default mode) or I will ask a million questions and annoy the bajesus out of her.
So two great options, really.
But last month she posted a behind-the-scenes video of one of her underwater photography shoots:
As always it’s amazing, but shortly after watching I found myself frustrated. Seeing her models gracefully pose while I consistently flail about made me think of the countless “Nailed It” moments you find on Pinterest. I should’ve known just from reading the description what I was getting into.
“750,000 litres of water
One 5m high bed
Six hours to set up
Eight hours to shoot
Nine underwater crew
Seven underwater cameras
53 seconds without drawing breath
1,609m of hair extensions
217 Valsalva manoeuvres
…and 62 wet towels!”
I spent all day yesterday setting up and shooting. My list was as follows:
Dresses from Goodwill
Light from Home Depot
Bottle of Jameson
And then comes the self-pity party. “If only I could just borrow some designer clothes. If only I knew a qualified hair and makeup person that could do the look I’m going for. If only I had access to a better lighting system, a different lens, or a better location.”
“If only, if only, if only, blah, blah, blah, blah blah!”
See, this actually happens a lot. The pity party hits, and then I calm down and remind myself of a few solid points: 1.) All of this awesome stuff does not make an amazing photographer, these are tools that amazing photographers have acquired over the years. I’m very doubtful anyone has access to all this amazing equipment and vendors from day one, and 2.) It takes time. Photography is an art that takes for-freaking-ever to learn and there is no rushing the process. Eventually, slowly but surely, I’ll get there.
And you will too :).
Essentially, the video below is all you ever need to keep in mind. Trust me – I watch it anytime I need to pull myself out of a bit of a slump :).
And if I ever do get to meet Zena, maybe we can just hangout. Nothing serious, just, like, drink some tea, talk about photography, get matching tattoos…that sort of thing ;).
Don’t forget to follow me on my Facebook page, Jenna Martin Photography, and don’t forget to subscribe below! 😀
We’ve all heard of the “365 Project” for photographers. And while I attempt to do one every year (I’m in the middle of another one right now), let’s be honest for a second here – not everyone has the time to take and edit a photo every single day. So instead, I’ve created a 52 week project that’s a bit more realistic.
If you head on over to my Facebook page (Jenna Martin Photography) you’ll see an album titled “52 Week Photography Challenge”. I upload a single photo each week to introduce that week’s theme and then you leave your photo in the comment section! Don’t worry if you missed a particular week – just leave your photo in the comment section anyway! You all know I’m not a huge stickler for rules. ;).
So if you’re in the mood to up your creative game, head over to my Facebook page and see what you can come up with! I look forward to all the different interpretations every week!
I’ve always dreamt of traveling the world, so why not do it through photographs? I’ve made it a goal to take a photo (and not just an iPhone snap out a car window, that doesn’t count) in each of the 50 states. Maybe someday I can expand to other countries, but for now here’s my map, and I’m working on it! 😀
Here is a map of the country with the pink states representing states I have already worked in. Let the games begin!